In Stravinsky's orbit[electronic resource] :responses to Modernism in Russian Paris
- 作者: Móricz, Klára,
- 出版: Oakland, CA : University of California Press c2020.
- 稽核項: 1 online resource (xiv, 290 p.) :ill.
- 標題: Prokofiev, Sergey, , Composers , History and criticism. , Lourié, Arthur, , Expatriate composers France -- Paris. , Nabokov, Nicolas, , Music France -- Paris -- 20th century -- History and criticism. , Stravinsky, Igor, 1882-1971. , Duke, Vernon, , Composers Soviet Union. , Expatriate composers , Lourié, Arthur, 1892-1966. , Music , Prokofiev, Sergey, 1891-1953. , Duke, Vernon, 1903-1969. , Stravinsky, Igor, , Nabokov, Nicolas, 1903-1978.
- ISBN: 0520975529 , 9780520975521
- ISBN: 9780520344426
- 試查全文@TNUA:
- 附註: Includes bibliographical references and index.
- 摘要: The Bolsheviks'1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants' and the Bolsheviks' contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky's disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky's neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky's neoclassicism, shedding new light on this infinitely elusive term.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://www.degruyter.com/isbn/9780520975521
- 系統號: 005331794
- 資料類型: 電子書
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- 引用網址: 複製連結
The Bolsheviks’ 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants’ and the Bolsheviks’ contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky’s disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky’s neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky’s neoclassicism, shedding new light on this infinitely elusive term.
來源: Google Book
來源: Google Book
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