附註:Includes bibliographical references (p. 117-118) and index.
Introduction -- Drift and consolidation: becoming an artist -- The horrific object: sculpture as social criticism -- Two rites of passage -- Generic tragedies: the creation of a narrative sculptural art -- The grand tour of the tableaux --Words, numbers, and rooms: concept tableaux, watercolors, and occasional tableaux -- An era of collaboration -- Filling the white easel: rejections of, returns to, America.
