A cinema without walls :movies and culture after Vietnam
- 作者: Corrigan, Timothy,
- 出版:
- 稽核項: x, 258 pages :illustrations ;24 cm.
- 標題: Motion pictures , Motion picture audiences , Popular culture United States. , Culture in motion pictures. , Popular culture , History. , Motion pictures History. , Motion picture audiences United States.
- ISBN: 0813516684 , 9780813516684
- 附註: Includes bibliographical references (pages 233-250) and index. Introduction: Leaving the cinema -- Glancing at the past: from Vietnam to VCR's (Heaven's Gate; Platoon; Full Metal Jacket) -- Illegible films: texts without secrets (Adrift; In a Year of Thirteen Moons; Blue Velvet) -- Film and the culture of cult (Choose me; After hours) -- The commerce of auteurism: Coppola, Kluge, Ruiz -- Genre, gender, and hysteria: the road movie in outer space (Bonnie and Clyde; Badlands; Paris, Texas) -- Interminable tales of Heaven and Hell (9 1/2 weeks; The singing detective) -- Spinning the spectator: fans and terrorists in the third generation (The King of Comedy; The Third Generation; My Beautiful Laundrette) -- Afterword : Mobile homes.
- 摘要: Corrigan argues that in the past 25 years the increased conglomerization of film production/distribution companies and the rise of VCR, satellite, and cable television technologies have altered the way films are made and how we view them. The result is a growing internationalization of national cinema cultures and an increasing fragmentation of the audience. Video has reduced the movie to private and domestic performance. At the same time, audiences are bombarded with a surfeit of images that leaves them with a battered sense of their place in history and culture. Corrigan notes that, combined with what many critics have recognized as the growing incoherence in film texts, these facts make it more meaningful to discuss films not as texts but as multiple cultural and commercial processes constructed by increasingly specialized audiences. ISBN 0-8135-1667-6: $36.00.
- 系統號: 005334541
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Corrigan argues that in the past 25 years the increased conglomerization of film production/distribution companies and the rise of VCR, satellite, and cable television technologies have altered the way films are made and how we view them. The result is a growing internationalization of national cinema cultures and an increasing fragmentation of the audience. Video has reduced the movie to private and domestic performance. At the same time, audiences are bombarded with a surfeit of images that leaves them with a battered sense of their place in history and culture. Corrigan notes that, combined with what many critics have recognized as the growing incoherence in film texts, these facts make it more meaningful to discuss films not as texts but as multiple cultural and commercial processes constructed by increasingly specialized audiences. ISBN 0-8135-1667-6: $36.00.
來源: Google Book
來源: Google Book
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