Eisenstein at 100 :a reconsideration
- 其他作者: LaValley, Albert J. , Scherr, Barry P.
- 出版: New Brunswick, N.J. : Rutgers University Press ©2001.
- 稽核項: vi, 318 pages :illustrations ;25 cm.
- 標題: Criticism and interpretation. , Eisenstein, Sergei, 1898-1948 Criticism and interpretation. , Eisenstein, Sergei,
- ISBN: 0813529719 , 9780813529714
- 附註: Includes bibliographical references and index. Eisenstein, socialist realism, and the charms of mizanstsena / David Bordwell -- The evolving Eisenstein: three theoretical constructs of Sergei Eisenstein / Oksana Bulgakowa -- Maintaining, blurring, and transcending gender lines in Eisenstein / Al LaValley -- The circle and the line: Eisenstein, Florensky, and Russian orthodoxy / Rosamund Bartlett -- Eisenstein's October: on the cinematic allegorization of history / Hk̄an Lv̲gren -- Eisenstein: lessons with Hollywood / James Goodwin -- Censorship, culture, and codpieces: Eisenstein's influence in Britain during the 1930's and 1940's / Ian Christie -- Viktor Shklovsky: the good and awkward friend / Nikita Lary -- Once in a lifetime: Eisenstein and his associates as literary prototypes in a novel by Lev Kassil / Omry Ronen -- Eisenstein: barometer of the thaw / Josephine Woll -- In the name of the father: the Eisenstein connection in films by Tarkovsky and Askoldov / Andrew Barratt -- Eisenstein and Tarkovsky: a montage of attractions / Vida T. Johnson -- Visual patterning, vertical montage, and ideological protest: Eisenstein's stylistic legacy to East European filmmakers / Herbert Eagle -- A history of Bezhin meadow / Peter Kenez -- Alexander Nevsky: film without a hero / Barry P. Scherr -- The politics of bewilderment: Eisenstein's Ivan the terrible in 1945 / Joan Neuberger -- The power of grammar and the grammar of power: the childhood scenes in Ivan the terrible / Alexander Zholkovsky -- Ivan the terrible: Eisenstein's rules of reading / Yuri Tsivian -- Ivan the terrible and "the juncture of beginning and end" / Anne Nesbet.
- 系統號: 005334599
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Like many other figures once closely associated with the Soviet state, the great Russian filmmaker Sergei Eisenstein has become the subject of renewed interest. A decade after the fall of the Soviet Union, and with fresh material on his life and art now available, a more complex picture of Eisenstein is emerging. This collection-featuring the work of major film theorists and Russian scholars-offers the first post-Soviet reconsideration of Eisenstein's contribution to world cinema. The contributors address themes previously avoided by Soviet critics, such as sexuality, religion, gender, and politics, in The Battleship Potemkin, October, Alexander Nevsky, and Ivan the Terrible. These films and others are also reassessed in light of a more thorough knowledge of Eisenstein's life and of the complicated historical, cultural, and political contexts in which he worked. Of particular concern here is Eisenstein's struggle with Soviet censorship, which resulted in a tenuous balance between the pressures of the state and his goals as an artist. Essays explore the manner in which Eisenstein's later theoretical writings reveal continuity with the more well known earlier work, issues of historical revisionism, and the relationship between autobiography and the films. Eisenstein's undeniable influence on his contemporaries and subsequent generations, as well as his reception by the film community and the public, are illuminated. Rather than fostering the popular image of Eisenstein as the "inventor" of film montage, the director of Potemkin, and the enthusiastic early supporter of the Bolsheviks, Eisenstein at 100 presents a much richer and more profound picture of Eisenstein the man, the director, and the film theorist.
來源: Google Book
來源: Google Book
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