資料來源: Google Book

The cinema of Satyajit Ray :between tradition and modernity

  • 作者: Cooper, Darius,
  • 出版: Cambridge, UK ;New York : Cambridge University Press 2000.
  • 稽核項: xii, 260 pages :illustrations ;24 cm.
  • 叢書名: Cambridge studies in film
  • 標題: Criticism and interpretation. , Ray, Satyajit, 1921-1992 Criticism and interpretation. , Ray, Satyajit,
  • ISBN: 0521629802 , 9780521629805
  • 附註: Filmography: pages 249-254. Includes bibliographical references (pages 245-248) and index. Between wonder, intuition, and suggestion: Rasa in Satyajit Ray's The Apu trilogy and Jalsaghar -- From gazes to threat: the Odyssean Yatra (journey) of the Ray woman -- The responses, trauma, and subjectivity of the Ray Purush (man) -- Satyajit Ray's political vision of the doubly colonized -- From newly discovered margins: Ray's responses to the center.
  • 摘要: The most comprehensive treatment of Satyajit Ray's work, The Cinema of Satyajit Ray makes accessible the oeuvre of one of the most prolific and creative filmmakers of the twentieth century. Providing analyses of selected films, including those that comprise The Apu Trilogy, Chess Players, and Jalsaghar, among others, Darius Cooper outlines Western influences on Ray's work, such as the plight of women functioning within a patriarchal society, Ray's political vision of the "doubly colonized," and his attack and critique of the Bengali/Indian middle class of today.
  • 系統號: 005334621
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
Satyajit Ray is India's greatest filmmaker and his importance in the international world of cinema has long been recognised. Darius Cooper's study of Ray is the first to examine his rich and varied work from a social and historical perspective, and to situate it within Indian aesthetics. Providing analyses of selected films, including those that comprise The Apu Trilogy, Chess Players, and Jalsaghhar, among others, Cooper outlines Western influences on Ray's work, such as the plight of women functioning within a patriarchal society, Ray's political vision of the 'doubly colonised', and his attack and critique of the Bengali/Indian middle class of today. The most comprehensive treatment of Ray's work, The Cinema of Satyajit Ray makes accessible the oeuvre of one of the most prolific and creative filmmakers of the twentieth century.
來源: Google Book
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