China into film :frames of reference in contemporary Chinese cinema
- 作者: Silbergeld, Jerome.
- 出版: London : Reaktion Books 1999.
- 稽核項: 351 pages :illustrations (some color) ;24 cm.
- 叢書名: Envisioning Asia
- 標題: Motion pictures , Motion picture industry , Motion picture industry China. , Motion pictures China.
- ISBN: 1861890508 , 9781861890504
- 附註: Includes bibliographical references (pages 341-347) and index. Drowning on Dry Land: Yellow Earth and the Traditionalism of the `Avant-garde' -- Ruins of a Sorghum Field, Eclipse of a Nation: Red Sorghum on Page and Screen -- A Farewell to Arts: Allegory Goes to the Movies -- The Veil of Tradition: Victims, Warriors, and the Female Analogy -- The Force of Labels: Melodrama in the Postmodern Era -- The Children of Melodrama: No-drama, Pseudo-drama, Melodramatic Masquerade and Deconstruction Drama.
- 摘要: "China into Film is the first book-length study to look at contemporary Chinese cinema as a visual art and to illustrate the many ways in which it has been shaped by centuries of visual and literary tradition. Among Jerome Silbergeld's concerns are the use of allegory, the strategies employed by filmmakers in the face of state censorship, the role of female gender in Chinese cinema, filmmakers' continuing attachment to melodrama as a narrative form, and the influence of both Maoism and post-Maoism."--Jacket.
- 系統號: 005334696
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Since 1984, Chinese cinema has been the most dramatic entry onto the international film scene. China into Film is the first book to look at contemporary Chinese cinema as a visual art and to illustrate the ways in which it has been shaped by centuries of Chinese tradition. Jerome Silbergeld looks at the significance of gender roles, the strategies of film-makers in coping with state censorship, the translation of novels into films, the continuing attachment of film-makers to melodrama, and cinematic critiques of Maoism and post-Maoist culture. Abundantly illustrated with Chinese paintings as well as scenes from such internationally acclaimed films as Yellow Earth, Red Sorghum, Raise the Red Lantern and Farewell My Concubine, China into Film reveals a cinematic form at once excitingly new and deeply imbedded in traditional Chinese visual culture.
來源: Google Book
來源: Google Book
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