The politics of memory in Sinophone cinemas and image culture :altering archives
- 其他作者: Peng, Xiaoyan, , Raidel, Ella,
- 出版:
- 稽核項: ix, 193 pages ;24 cm.
- 叢書名: Routledge contemporary China series ;179
- 標題: Motion pictures , Political aspects , Culture in motion pictures. , Social aspects , Memory Social aspects -- China. , Motion pictures Social aspects -- China. , Memory , Memory in motion pictures. , Motion pictures Political aspects -- China.
- ISBN: 0367209276 , 9780367209278
- 附註: Includes bibliographical references and index. Introduction -- Part I Remembering China: the individual self, the collective, and the state apparatus -- 1 Why remember everyday movie-goingin Cultural Revolution Shanghai? -- 2 Persuasive communication in Chinese historical film: The Founding of a Republic as a milestone -- 3 Images of redress and rehabilitation: "pingfan (in) film" and perceptions of coming to terms with the past in China -- 4 A familiar stranger: Grierson in China -- Part II Politicizing archives: artists and digital history -- 5 The use and abuse of archives in contemporary art -- 6 Making reverberation: residue of sounds and images -- 7 The digital emergence of a new history: the archiving of colonial Japanese documentaries on Taiwan -- Part III Manufactured archives: the fictional memory -- 8 Wong Kar-wai'sMood Trilogy: robot, tears, and the affective aura -- 9 The missing and the fictional memory: leitmotifs of Tsai Ming-liang's oeuvre -- 10 Light and shadow of jianghu: peering into the contemporary political mythology in Crouching Tiger, Hidden Dragon, Hero and The Grandmaster -- Index.
- 系統號: 005334911
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Cinema archives memories, conserves the past, and rewrites histories. As much as the Sinophone embodies differences, contemporary Sinophone cinemas in Taiwan, Hong Kong, and the People's Republic of China invest various images of contested politics in order to assert different histories and self-consciousness. As such, Sinophone cinemas and image production function as archives, with the capability of reinterpreting the multiple dimensions of past and present. The Politics of Memory in Sinophone Cinemas and Image Culture investigates Sinophone films and art projects that express this desire for archiving and reconfiguring the past. Comprising ten chapters, this book brings together contributors from an array of disciplines - artists, filmmakers, curators, film critics, and literary scholars - to grapple with the creative ambiguities of Sinophone cinemas and image culture. Blending eclectic methods of scholarly research, knowledge-making, and art-making into a new discursive space, the chapters address the diverse complexities of the cinematic culture and image production in Sinitic language regions. This book is a valuable resource for students and scholars of film studies, China studies, East Asian studies, Taiwan studies, and Sinophone studies, as well as professionals who work in the film industry.
來源: Google Book
來源: Google Book
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