Screening China :critical interventions, cinematic reconfigurations, and the transnational imaginary in contemporary Chinese cinema
- 作者: Zhang, Yingjin.
- 出版: Ann Arbor, Mich. : Center for Chinese Studies c2002.
- 稽核項: xiii, 433 p. :ill. ;24 cm.
- 叢書名: Michigan monographs in Chinese studies ;vol. 92
- 標題: Motion pictures , Motion pictures China.
- ISBN: 0892641584 , 9780892641581
- 附註: 102年國科會補助人文及社會科學研究圖書設備計畫主題:藝術學:華語電影研究. Includes bibliographical references (p. 383-420) and index. Machine generated contents note: Part I Critical Interventions: -- History, Politics, Methodology -- 1. Introduction: Screening China at the Fin de Siecle 3 -- 2. Chinese Cinema and Transnational Cultural Politics: Rethinking Film Festivals, Film Productions, and Film Studies 15 -- 3. The Rise of Chinese Film Studies in the West: Contextualizing Issues, Methods, Questions 43 -- 4. Cross-Cultural Analysis and Eurocentrism: Interrogating Authority, Power, and Difference -- in Western Critical Discourse 115 -- Part II Cinematic Reconfigurations: Nation, Culture, Agency -- 5. From "Minority Film" to "Minority Discourse": Negotiating Nationhood, Ethnicity, and History 151 -- 6. Seductions of the Body: Fashioning Ethnographic Cinema in Contemporary China 207 -- 7. The Glocal City of the Transnational Imaginary: Plotting Disappearance and Reinscription in Chinese Urban Cinema 253 -- 8. Conclusion: Entering the New Millennium 313.
- 系統號: 005254538
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Yingjin Zhang guides the reader through the development of Chinese film criticism, pointing out that Western critics have studied a comparatively small number of films from a much larger body of work, often with a unidirectional Eurocentric bias. The result has been that the few have influenced the many, perpetuating a cycle of production of films from China that bow to the Western notion of "Chineseness." As a corrective, the author introduces readers to a much larger canon of film and proposes a multidirectional model of film studies, one that allows for a Western reading of Chinese film yet also recognizes Chinese cinema's own voice. Yingjin Zhang is Professor of Chinese Literature and Film, Comparative Literature, and Cultural Studies at University of California, San Diego.
來源: Google Book
來源: Google Book
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