Semiotics of exile in contemporary Chinese film
- 作者: Zeng, Hong.
- 出版: New York : Palgrave Macmillan 2012.
- 版本: 1std.
- 稽核項: viii, 177 p. ;23 cm.
- 叢書名: Semiotics and popular culture
- 標題: Motion pictures , Displacement (Psychology) in motion pictures. , Emigration and immigration in motion pictures. , Motion pictures Taiwan. , Symbolism in motion pictures. , Motion pictures China.
- ISBN: 1137002395 , 9781137002396
- 附註: 102年國科會補助人文及社會科學研究圖書設備計畫主題:藝術學:華語電影研究. Includes bibliographical references (p. [163]-174 and index. Introduction -- Semiotics of photography and exile -- Postmodernism and semiotics of exile -- Female doubling and postcolonial exile -- Semiotics of exile and genre upsetting: Xin Jin's subversion of melodrama in "Hibiscus town" -- Failure of root-searching in Cheng Kaige -- Semiotics of exile and displaced film codes: Jia Zhangke's three films -- Conclusion.
- 系統號: 005254539
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Drawing on a variety of film semiotic theories, this book sheds light on works by four generations of mainland Chinese directors, Hong Kong New Wave directors, Taiwan New Cinema directors, and overseas Chinese directors. The cultural and historical implications of exile are examined through the detailed analysis of film language and theoretical exploration balanced by insightful close reading. Zeng establishes a semiotics of exile film as reflected in genre-upsetting, semiotics of photography, displaced film codes, Taoist pitfalls, postmodernism, and the symbol of female doubling.
來源: Google Book
來源: Google Book
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