附註:Includes bibliographical references and index.
Preface: Queer Metacinema: It's a Dream -- Introduction: Feeling Melancholy, Cruisy, Sleepy -- Spatial and Sexual Disorientation: Vive L'Amour and I Don't Want to Sleep Alone -- Leaving the Cinema: Metacinematic Cruising in Goodbye, Dragon Inn -- Queer Camp and Porn Musicals: The Hole and The Wayward Cloud -- Different Time Zones: What Time Is It There? and Visage -- Haunted, Rented, Queer Spaces: From Vive L'Amour to Stray Dogs -- Conclusion: Expanded Cinema, Sleepovers, and Cruising the Museum.
摘要:"A critical figure in queer Sinophone cinema, Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy offers a fascinating, systematic method for analyzing the queerness of Tsai's films, drawing on extensive interviews with the director while also offering a complete reappraisal of Tsai's body of work"--
