資料來源: Google Book
Cinema, space, and polylocality in a globalizing China
- 作者: Zhang, Yingjin.
- 出版: Honolulu : University of Hawaii Press 2010.
- 稽核項: xii, 257 p. :ill., photographs ;24 cm.
- 叢書名: Critical interventions
- 標題: Motion pictures , Motion pictures China -- History -- 20th century. , Motion pictures and globalization China -- History. , Space and time in motion pictures. , History. , Motion pictures Production and direction -- China. , Motion pictures China -- History -- 21st century. , Motion pictures and globalization , Production and direction , History
- ISBN: 0824834089 , 9780824834081
- 附註: 102年國科會補助人文及社會科學研究圖書設備計畫主題:藝術學:華語電影研究. Includes bibliographical references (p. 231-250), filmography (p. 219-229), and index. Introduction: cinema, space, polylocality -- Space of scholarship: trans/national and comparative studies -- Space of production: postsocialist filmmaking -- Space of polylocality: remapping the city -- Space of subjectivity: independent documentary -- Space of performance: media and mediation.
- 系統號: 005254732
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
In this milestone work, prominent China film scholar Yingjin Zhang proposes "polylocality" as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization. Questioning the national cinema paradigm, Zhang calls for comparative studies of underdeveloped areas beyond the imperative of transnationalism. The book begins by addressing theories and practices related to space, place, and polylocality in contemporary China before focusing on the space of scholarship and urging scholars to move beyond the current paradigm and explore transnational and comparative film studies. This is followed by a chapter that concentrates on the space of production and surveys the changing landscape of postsocialist filmmaking and the transformation of China’s urban generation of directors. Next is an examination of the space of polylocality and the cinematic mappings of Beijing and a persistent "reel" contact with polylocality in hinterland China. In the fifth chapter Zhang explores the space of subjectivity in independent film and video and contextualizes experiments by young directors with various documentary styles. Chapter 6 calls attention to the space of performance and addresses issues of media and mediation by way of two kinds of playing: the first with documentary as troubling information, the second with piracy as creative intervention. The concluding chapter offers an overview of Chinese cinema in the new century and provides production and reception statistics. Combining inspired critical insights, original observations, and new information, Cinema, Space, and Polylocality in a Globalizing China is a significant work on current Chinese film and a must-read for film scholars and anyone seriously interested in cinema more generally or contemporary Chinese culture.
來源: Google Book
來源: Google Book
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