資料來源: Google Book

The Bloomsbury handbook of music and art[electronic resource]

  • 其他作者: Kraaz, Sarah Mahler. , De Mille, Charlotte.
  • 出版: New York : Bloomsbury Academic 2024.
  • 版本: 1st ed.
  • 稽核項: 1 online resource (xix, 373 p.) :ill.
  • 叢書名: Bloomsbury handbooks
  • 標題: Art and music , Art and music. , Art et musique. , Electronic books.
  • ISBN: 1501377752 , 9781501377754
  • 試查全文@TNUA:
  • 附註: Includes bibliographical references and index.
  • 摘要: This volume brings together prominent scholars, artists, composers, and directors to present the latest interdisciplinary ideas and projects in the fields of art history, musicology and multi-media practice. Organized around ways ofperceiving, experiencing and creating, the book outlines the state of the field through cutting-edge research case studies. For example, how does art-music practice/thinking communicate activist activities? How do socio-economic and environmentalproblems affect access to heritage? How do contemporary practitioners interpret past works and what global concerns stimulate new works? In each instance, examples of cross or inter-media works are not thought of in isolation but in aglobal historical context that shows our cultural existence to be complex, conflicted and entwined. For the first time cross-disciplinary collaborations in ethnomusicology-anthropology, ecomusicology-ecoart-ecomuseology and digital humanities for art history, musicology and practice are prioritized in one volume.
  • 電子資源: https://dbs.tnua.edu.tw/login?url=https://doi.org/10.5040/9781501377747?locatt=label:secondary_bloomsburyCollections
  • 系統號: 005337609
  • 資料類型: 電子書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
This volume brings together prominent scholars, artists, composers, and directors to present the latest interdisciplinary ideas and projects in the fields of art history, musicology and multi-media practice. Organized around ways of perceiving, experiencing and creating, the book outlines the state of the field through cutting-edge research case studies. For example, how does art-music practice / thinking communicate activist activities? How do socio-economic and environmental problems affect access to heritage? How do contemporary practitioners interpret past works and what global concerns stimulate new works? In each instance, examples of cross or inter-media works are not thought of in isolation but in a global historical context that shows our cultural existence to be complex, conflicted and entwined. For the first time cross-disciplinary collaborations in ethnomusicology-anthropology, ecomusicology-ecoart-ecomuseology and digital humanities for art history, musicology and practice are prioritized in one volume.
來源: Google Book
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