附註:Includes bibliographical references and index.
Chapter 1. The evil dead franchise: building genre hybridity -- Chapter 2. The matrix trilogy: a technocultural approach -- Chapter 3. Planet of the apes series in the context of apocalyptic and epidemic movies -- Chapter 4. The recycled story formula: repeated narrative elements in the superman sequels -- Chapter 5. Cinematographic analysis of Nuri Bilge Ceylan's films in the context of rural sociology -- Chapter 6. Close to reality in the digital era: the batman trilogy -- Chapter 7. A sequel about the expansion of the cinematic universe: an analysis on Avatar: the way of water -- Chapter 8. "To create a hero": nationalism narrative in Cüneyt Arkin's historical film series -- Chapter 9. The transformation of sociological criticism into comedy with satire narrative: the "Hababam classroom" (Hababam Sinifi) sequels -- Chapter 10. 28 weeks later-28 days later: downfall and personal apocalypse -- Chapter 11. Lévi-Straussian structural analysis of the western myth in Star wars: may the force be with who! -- Chapter 12. The film editing style in the transitions between scenes in Rocky and Rocky II -- Chapter 13. Ocean's eleven and others: they keep coming back -- Chapter 14. The weight of the cinematic landscape in Wim Wenders' road trilogy films -- Chapter 15. An architectural review of Harry Potter series' spaces: a new world called Potterverse -- Chapter 16. The transformation of visual effects in the Jurassic Park series and its impact on storytelling -- Chapter 17. The analysis of Kobayashi's the human condition trilogy by referring to Arendt's storytelling -- Chapter 18. The effects of new characters on the narrative structure in film sequels: the case of the Blade runner movies.
摘要:"The first film series shot as a continuation in the history of cinema is the Sherlock Holmes films shot shortly after the invention of cinema. This series, which started with Sherlock Holmes I (Viggo Larsen, 1908), continued until 1910 with a total of 6 films produced by the same director. "Making a sequel wasn't something Hollywood used very often until the late 1970s. With the development of popular culture, the number of applications for sequels has gradually increased; With the Oscar for The Godfather, a 1972 Francis Ford Coppola movie, the sequel of this movie was also encouraged" (Göral, 2003, p.105-106). There are many elements in the concept of visual continuity and they are all interrelated. In films or film series that are described as sequels, establishing a visual integrity relationship between films comes to the fore. The concept of the sequel appears in two ways. Sometimes, while the ideas are scripted, the story is divided into more than one part. Sometimes the story is planned as a single movie, and after a certain time, it can be realized as a follow-up movie/films for different reasons. In both systems of expression, it is necessary to seek harmony between all elements of visual design. This research aims to include analyzes that examine sequels, serials and trilogy on the axis of cinematography and narration"--
