附註:Includes bibliographical references and index.
Music production and genre. Hip hop production technique and the actor-network ontology / Matt Shelvock ; Boom bap ex machina / Mike Exarchos ; Metal in box : the DAW and the domain of metal music production practice since 2000 / Mark Marrington ; Antonio Carlos jobim : the author as producer / Marcio Pinho, Rodrigo Vicente ; Quarantine zone : vaporwave and the dissection of record production / Josh Ottum ; Classical production : situating historically-informed performances in small rooms / Bob Toft -- Music production and technology. Politics of digitizing analog / Pat O'Grady ; Producing music for immersive audio experiences / Rob Lawrence ; Producing 3-D audio / Justin Paterson ; Production moves in a laptop studio : thinking through the creative workflows and possibility spaces of Ableton Live / Thomas Brett ; Real time, remote, collaborative recording sessions : music production without boundaries / Paul Ferguson, Zack Moir -- Concepts of production. Re-thinking the audio-object in the context of DAW-based electronic music production practice / Stace Constantinou ; The use of non-linear sonic signatures in music production / Austin Moore ; Russ HS interview with Brakespear/round-table ; Towards a typology of collaborative practice in music production / Robert Wilsmore ; Narrative and the art of record production / Alex Harden -- The context of production. Music production pedagogy and its relationship with industry / Alex Baxter ; Conversations with women in music production / Kallie Buccola.
摘要:During the last two decades, the field of music production has attracted considerable interest from the academic community, more recently becoming established as an important and flourishing research discipline in its own right. Producing Music presents cutting-edge research across topics that both strengthen and broaden the range of the discipline as it currently stands. Bringing together the academic study of music productionand practical techniques, this book illustrates the latest research on producing music. Focusing on areas such as genre, technology, concepts, and contexts of production, Hepworth-Sawyer, Hodgson, and Marrington have compiled key research from practitioners and academics to present a comprehensive view of how music production has established itself and changed over the years.
