Global Chinese cinema :the culture and politics of Hero
- 其他作者: Rawnsley, Gary D. , Rawnsley, Ming-Yeh T.
- 出版: London : Routledge 2011.
- 稽核項: xxvi, 226 p. :ill. ;24 cm.
- 叢書名: Routledge media, culture and social change in Asia ;18.
- 標題: Motion pictures and transnationalism. , Motion pictures and globalization. , Motion pictures , Social aspects , Motion pictures Social aspects -- China. , Nationalism in motion pictures. , Motion pictures China -- History -- 21st century. , China , Motion picture industry China. , China In motion pictures. , Motion picture industry , Ying xiong (Motion picture) , In motion pictures. , History
- ISBN: 0415697093 , 9780415697095
- 附註: "First published 2010 ... First issued in paperback 2011"--T. p. verso. 102年國科會補助人文及社會科學研究圖書設備計畫主題:藝術學:華語電影研究. Includes bibliographical references, filmography (p. [212]-216) and index. Foreword / Chris Berry -- Introduction / Gary D. Rawnsley and Ming-Yeh T. Rawnsley -- The political narrative(s) of Hero / Gary D. Rawnsley -- Recycled heroes, invented tradition and transformed identity / Yingjie Guo -- Ruthless tyrant or compassionate hero? : Chinese popular nationalism and the myth of state origins / Yiyan Wang -- The king, the musician and the village idiot : images of manhood / Kam Louie -- Twenty-first century women warriors : variations on a traditional theme / Louise Edwards -- On tian xia ('all under heaven') in Zhang Yimou's Hero / Xiaoming Chen and Ming-Yeh T. Rawnsley -- Hero : rewriting the Chinese martial arts film genre / Haizhou Wang and Ming-Yeh T. Rawnsley -- "Would you rather spend more time making serious cinema?" : Hero and Tony Leung's polysemic masculinity / Mark Gallagher -- Fifteen minutes of fame : transient/transnational female stardom in Hero / Olivia Khoo -- Camp pleasure in an era of Chinese blockbusters : Internet reception of Hero in mainland China / Sabrina Qiong Yu-- North American reception of Zhang Yimou's Hero / Wendy Larson -- Heroic music : from Hunan to Hollywood and back / Katy Gow -- Visual effects magic : Hero's Sydney connection / Mary Farquhar -- Towards a global blockbuster : the political economy of Hero's nationalism / Anthony Fung and Joseph M. Chan -- Filmography -- Chinese glossary : selected Chinese names and terms -- Chinese dynasties at a glance.
- 摘要: "The film Hero, directed by Zhang Yimou and released in 2002, is widely regarded as the first globally successful indigenous Chinese blockbuster. A big expensive film with multiple stars, spectacular scenery, and astonishing action sequences, it touched on key questions of Chinese culture, nation and politics, and was both a domestic sensation and an international hit. This book explores the reasons for the film's popularity with its audiences, discussing the factors which so resonated with those who watched the film. It examines questions such as Chinese national unity, the search for cultural identity and role models from China's illustrious pre-communist past, and the portrayal of political and aesthetic values, and attitudes to gender, sex, love, and violence which are relatively new to China. The book demonstrates how the film, and China's growing film industry more generally, have in fact very strong international connections, with Western as well as Chinese financing, stars recruited from the East Asian region more widely, and extensive interactions between Hollywood and Asian artists and technicians. Overall, the book provides fascinating insights into recent developments in Chinese society, popular culture and cultural production."--P. [4] of cover.
- 系統號: 005255625
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The film Hero, directed by Zhang Yimou and released in 2002, is widely regarded as the first globally successful indigenous Chinese blockbuster. A big expensive film with multiple stars, spectacular scenery, and astonishing action sequences, it touched on key questions of Chinese culture, nation and politics, and was both a domestic sensation and an international hit. This book explores the reasons for the film’s popularity with its audiences, discussing the factors which so resonated with those who watched the film. It examines questions such as Chinese national unity, the search for cultural identity and role models from China’s illustrious pre-communist past, and the portrayal of political and aesthetic values, and attitudes to gender, sex, love, and violence which are relatively new to China. The book demonstrates how the film, and China’s growing film industry more generally, have in fact very strong international connections, with Western as well as Chinese financing, stars recruited from the East Asian region more widely, and extensive interactions between Hollywood and Asian artists and technicians. Overall, the book provides fascinating insights into recent developments in Chinese society, popular culture and cultural production.
來源: Google Book
來源: Google Book
評分
