Hibakusha cinema :Hiroshima, Nagasaki and the nuclear image in Japanese film
- 其他作者: Broderick, Mick.
- 出版: London :New York : Kegan Paul International ;Distributed by Columbia University Press 1996.
- 稽核項: x, 255 p. :ill. ;23 cm.
- 叢書名: Japanese studies
- 標題: Motion pictures , Motion pictures Japan. , Nuclear warfare in motion pictures. , Japan. , Atomic bomb victims in motion pictures.
- ISBN: 071030529X , 9780710305299
- 附註: 102年國科會補助人文及社會科學研究圖書設備計畫主題:藝術學:華語電影研究. Includes bibliographical references.
- 系統號: 005255833
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Hiroshima and Nagasaki evoke powerful and sombre associations of holocaust and apocalypse, a vision that gives rise to Japanese hibakusha cinema, which attempts to come to terms with the bombings in a number of ways. Including contributions from such renowned theorists as Donald Richie and Susan Sontag, Hibakusha Cinema focuses critical attention upon this little-studied yet vitally important trend in Japanese film. Assembled chronologically, the anthology begins with rare, early commentary and closes with new criticism specially prepared for this volume. The essays explore the metatextuality of Hiroshima and Nagasaki via film and television renderings of hibakusha experiences as well as Japanese projections of future nuclear wars. Hibakusha Cinema assesses a broad range of Japanese film to locate this significant theme: the essays cover documentary and dramatic films made under strict, Occupation-era censorship; the historical docudramas of the 1950s and 1980s; the widespread though critically neglected nuclear monster subgenre; and apocalyptic manga films and videos.
來源: Google Book
來源: Google Book
評分
