An idea of the drama :six modern playwrights in one movement : essays in revisionism
- 作者: Cardullo, Bert.
- 出版: Frankfurt am Main : Peter Lang c2011.
- 稽核項: 239 p. ;21 cm.
- 標題: Drama , History and criticism. , Drama 20th century -- History and criticism.
- ISBN: 3631613792 , 9783631613795
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規畫主題:藝術學:全球化與劇場跨界 Includes bibliographical references and index. "The drama has not yet come, or Look back in longing" -- "The pillar of Ibsenian drama : Henrik Ibsen and the 'Pillars of Society', reconsidered -- "August Strindberg, 'The Ghost Sonata', and the making of modern drama -- Comedy and tragedy according to Shaw -- "Shaw, 'The Philanderer', and the (un)making of Shavian drama" -- "The doctored dilemma : Shaw's approach to tragedy in 'The Doctor's Dilemma' -- "The difficult B. B., the complex E. T. : rethinking the theory and practice of Brechtian theater" -- "The unbearable lightness of being : Getrude Stein's 'Doctor Faustus Lights the Lights' in the light of the twentieth century" -- "Bourgeois realism, imagistic abstraction, and the drama of Harold Pinter -- The idea of the avant-garde -- "In the vanguard : the military, scientific, and philosophical origens of theatrical avant-gardism" "'The avant-garde, the absurd, the un-American, and the postmodern : experimental theater and drama in the twentieth century, from Europe to the United States."
- 摘要: "This is a collection of ten long essays arranged around the primordial subject of realism and non-realism, or anti-realism, in the drama, as this subject manifests itself in modern Europe and contemporary America from Ibsen to Shaw to the symbolists, expressionists, surrealists, dadaists, futurists, and absurdists. This book treats not only the issue of realism versus anti-realism in theater from a practical as well as a theoretical point of view. It also treats at least two subjects related to this issue: the superfical or bourgeois realism that has long crippled the theater versus the critical and sometimes poetic realism that liberates it; and the avant-garde, the rearguard, and the middle-to-advanced artistic ground in between claimed by Bertolt Brecht and Harold Pinter. Special attention is paid, moreover, to the first thoroughgoing American avant-garde dramatist, Gertrude Stein. In sum, this book treats the subject of realism and non-realism from the point of view of the theater's ability to create not only the illusion of reality onstage, but also the reality of illusion"--Publisher's description, back cover.
- 系統號: 005257859
- 資料類型: 圖書
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- 引用網址: 複製連結
"This is a collection of ten long essays arranged around the primordial subject of realism and non-realism, or anti-realism, in the drama, as this subject manifests itself in modern Europe and contemporary America from Ibsen to Shaw to the symbolists, expressionists, surrealists, dadaists, futurists, and absurdists. This book treats not only the issue of realism versus anti-realism in theater from a practical as well as a theoretical point of view. It also treats at least two subjects related to this issue: the superfical or bourgeois realism that has long crippled the theater versus the critical and sometimes poetic realism that liberates it; and the avant-garde, the rearguard, and the middle-to-advanced artistic ground in between claimed by Bertolt Brecht and Harold Pinter. Special attention is paid, moreover, to the first thoroughgoing American avant-garde dramatist, Gertrude Stein. In sum, this book treats the subject of realism and non-realism from the point of view of the theater's ability to create not only the illusion of reality onstage, but also the reality of illusion"--Publisher's description, back cover.
來源: Google Book
來源: Google Book
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