資料來源: Google Book
Shakespeare, theatre, and time
- 作者: Wagner, Matthew D.,
- 出版: New York : Routledge 2012.
- 稽核項: xiv, 155 pages :illustrations ;24 cm.
- 叢書名: Routledge advances in theatre and performance studies ;20
- 標題: Criticism and interpretation. , Dramatic production. , Shakespeare, William, 1564-1616 Dramatic production. , Shakespeare, William, , Shakespeare, William, 1564-1616 Criticism and interpretation. , Time in literature.
- ISBN: 1138793515 , 9781138793514
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規畫主題:藝術學:全球化與劇場跨界 Includes bibliographical references and index. First breath: an introduction -- Time and theatre -- The bodies of time -- Time and the play -- Time and the contemporary Shakespearean stage -- Final words: an ending.
- 系統號: 005257873
- 資料類型: 圖書
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- 引用網址: 複製連結
That Shakespeare thematized time thoroughly, almost obsessively, in his plays is well established: time is, among other things, a 'devourer' (Love's Labour's Lost), one who can untie knots (Twelfth Night), or, perhaps most famously, simply 'out of joint' (Hamlet). Yet most critical commentary on time and Shakespeare tends to incorporate little focus on time as an essential - if elusive - element of stage praxis. This book aims to fill that gap; Wagner's focus is specifically performative, asking after time as a stage phenomenon rather than a literary theme or poetic metaphor. His primary approach is phenomenological, as the book aims to describe how time operates on Shakespearean stages. Through philosophical, historiographical, dramaturgical, and performative perspectives, Wagner examines the ways in which theatrical activity generates a manifest presence of time, and he demonstrates Shakespeare's acute awareness and manipulation of this phenomenon. Underpinning these investigations is the argument that theatrical time, and especially Shakespearean time, is rooted in temporal conflict and 'thickness' (the heightened sense of the present moment bearing the weight of both the past and the future). Throughout the book, Wagner traces the ways in which time transcends thematic and metaphorical functions, and forms an essential part of Shakespearean stage praxis.
來源: Google Book
來源: Google Book
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