Shakespeare in stages :new theatre histories
- 其他作者: Dymkowski, Christine, , Carson, Christie.
- 出版: Cambridge, UK ;New York : Cambridge University Press 2013.
- 版本: 1st paperback ed.
- 稽核項: xvi, 306 p. :ill., plans ;24 cm.
- 標題: Shakespeare, William, 1564-1616 Stage history. , Shakespeare, William, 1564-1616 Dramatic production. , Shakespeare, William, , Stage history. , Dramatic production.
- ISBN: 1107634016 , 9781107634015
- 試查全文@TNUA:
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規畫主題:藝術學:全球化與劇場跨界 Includes bibliographical references and index. The move indoors / Andrew Gurr -- Whig heroics: Shakespeare, Cibber, and the troublesome King John / Elaine M. McGirr -- Coriolanus and the (in)authenticities of William Poel's platform stage / Lucy Munro -- 'A fresh advance in Shakespearean production': Tyrone Guthrie in Canada / Neil Carson -- Authenticity in the twenty-first century: Propeller and Shakespeare's Globe / Abigail Rokison -- Performing beauty on the Renaissance stage / Farah Karim-Cooper -- The artistic, cultural, and economic power of the actress in the age of Garrick / Fiona Ritchie -- Women writing Shakespeare's women in the nineteenth century: The winter's tale / Jan McDonald -- 'Not our Olivia': Lydia Lopokova and Twelfth night / Elizabeth Schafer -- Measure for Measure: Shakespeare's twentieth-century play / Christine Dymkowski -- Shakespeare and the rhetoric of scenography 1770-1825 / Christopher Baugh -- The presence of Shakespeare / Susan Bennett -- Finding local habitation: Shakespeare's Dream at play on the stage of contemporary Australia / Kate Flaherty and Penny Gay -- 'Haply for I am black': shifting race and gender dynamics in Talawa's Othello / Lynette Goddard -- British directors in post-colonial South Africa / Brian Pearce Epilogue: Shakespeare's audiences as imaginative communities / Christie Carson.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://assets.cambridge.org/97805218/84792/cover/9780521884792.jpg
- 系統號: 005257887
- 資料類型: 圖書
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- 引用網址: 複製連結
The history of Shakespearean performance is very well served at its two extremes, with volumes providing a valuable historical overview of the subject and others concentrating on the performance history of a particular play. However, no individual volume provides an in-depth consideration of the stage histories of a number of plays, chosen for their particular significance within specific cultural contexts. Shakespeare in Stages addresses this gap. The original case studies explore significant anglophone performances of the plays, as well as ideas about 'Shakespeare', through the changing prisms of three different cultural factors that have proved influential in the way Shakespeare is staged: notions of authenticity, attitudes towards sex and gender, and questions of identity. Ranging from the sixteenth to the twenty-first centuries and examining productions of plays in Britain, USA, Canada, Australia, and South Africa, the studies focus attention on the complex interaction between particular plays, issues, events, and periods.
來源: Google Book
來源: Google Book
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