資料來源: Google Book

The Venetian origins of the Commedia dell'arte

  • 作者: Jordan, Peter.
  • 出版:
  • 稽核項: xix, 250 pages :illustrations ;22 cm.
  • 標題: History and criticism. , Theater , Commedia dell'arte , Theater Italy -- Venice -- History -- 16th century. , Italian drama , Italian drama To 1700 -- History and criticism. , Italian drama (Comedy) , Commedia dell'arte History and criticism. , Italian drama (Comedy) Italy -- Venice -- History and criticism. , History
  • ISBN: 0415698766 , 9780415698764
  • ISBN: 9780203136881 (ebook)
  • 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題 : 藝術學 : 全球化與劇場跨界. Includes bibliographical references and index. Introduction -- The "Comedy of the Profession" -- Laughter, Humour and Comedy -- Magnifico and Zanni -- Why Venice? -- The Compagnie della Calza -- Rich Boys and Poor Clowns -- Case Study, Part One: Pantalone -- Case Study, Part Two: The Capricco -- The First Professionals, The Gelos -- A Lingering Legacy -- Conclusion.
  • 摘要: "The Venetian Origins of the Commedia dell'Arte is a striking new enquiry into the late-Renaissance stirrings of professional secular comedy in Venice, and their connection to the development of what came to be known as the Commedia dell'Arte. The book contends that through a symbiotic collaboration between patrician amateurs and plebeian professionals, innovative forms of comedy developed in the Venice region, fusing 'high' and 'low' culture in a provocative mix that had a truly mass appeal. Rich with anecdotes, images, and literary - often ribald - comic passages, Peter Jordan's central argument has important implications for the study of Venetian art, popular theatre and European cultural history"--
  • 系統號: 005257936
  • 資料類型: 圖書
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  • 引用網址: 複製連結
The Venetian Origins of the Commedia dell'Arte is a striking new enquiry into the late-Renaissance stirrings of professional secular comedy in Venice, and their connection to the development of what came to be known as the Commedia dell'Arte. The book contends that through a symbiotic collaboration between patrician amateurs and plebeian professionals, innovative forms of comedy developed in the Venice region, fusing 'high' and 'low' culture in a provocative mix that had a truly mass appeal. Rich with anecdotes, diary entries and literary - often ribald - comic passages, Peter Jordan's central argument has important implications for the study of Venetian art, popular theatre and European cultural history.
來源: Google Book
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