Cognition in the Globe :attention and memory in Shakespeare's theatre
- 作者: Tribble, Evelyn B.
- 出版: New York : Palgrave Macmillan 2011.
- 版本: 1st ed.
- 稽核項: xv, 200 p. :ill. ;22 cm.
- 叢書名: Cognitive studies in literature and performance
- 標題: Stage history , Theater , EnglandHistory , Theater England -- History -- 16th century. , Acting History -- 16th century. , Theater England -- History -- 17th century. , Acting , Acting History -- 17th century. , Shakespeare, William, 1564-1616 Dramatic production. , Shakespeare, William, 1564-1616 Stage history -- To 1625. , Shakespeare, William, , Shakespeare, William, 1564-1616 Stage history -- England. , Dramatic production. , History
- ISBN: 0230110851 , 9780230110854
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題 : 藝術學 : 全球化與劇場跨界. Includes bilbiographical references and index. Machine generated contents note: 1.The Stuff of Memory -- 2.Action and Accent: Voice, Gesture, Body, and Mind -- 3.Social Cognition: Enskillment in the Early Modern Theatre.
- 摘要: "Shakespeare's company coped with an enormous mnemonic load, performing up to six different plays a week. How did they do it? Cognition in the Globe addresses this question through the lens of distributed cognition. This is a dynamic model that attends to the art of 'playing' at a range of levels. These include the material conditions of playing space; artifacts such as parts, plots, and playbooks; the social structures of the companies, including methods of training and coordination; internal cognitive mechanisms such as attention, perception, and memory; and actor-audience dynamics, among many others. This is the first book to offer such an approach to theatrical history and performance studies"--Provided by publisher.
- 系統號: 005257946
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Early modern playing companies performed up to six different plays a week and mounted new plays frequently. This book seeks to answer a seemingly simple question: how did they do it? Drawing upon work in philosophy and the cognitive sciences, it proposes that the cognitive work of theatre is distributed across body, brain, and world.
來源: Google Book
來源: Google Book
需登入
- 《環球劇場的認知：莎士比亞劇場的注意力與記憶》 莎士比亞的劇團每週平均有六部不同的劇目上演，他們是如何應付如此繁重與密集的戲劇製作（記下冗長的臺詞和舞臺指示）？本書試圖透過一個動態性的理論架構——散佈式認知（distributed cognition）來回應以上的提問，審視表演藝術的不同層面。其中包括物質性層面的表演空間、文物（臺詞、情節、劇本）；劇團的社會架構，如訓練與協調的方法；内在認知機制，如注意力、感知與記憶；演員-觀衆動力等不同面向。本書是第一本以這樣的視角來解讀劇場史與表演研究的相關書籍。【103年全球化與劇場跨界專任助理 董家威╱整理】 ( 一月 20, 2015, 9:30 a.m. )
評分
