資料來源: Google Book
Russian culture and theatrical performance in America, 1891-1933
- 作者: Hohman, Valleri J.,
- 出版: New York : Palgrave Macmillan 2011.
- 版本: 1st ed.
- 稽核項: xi, 209 p. :ill. ;22 cm.
- 叢書名: Palgrave studies in theatre and performance history
- 標題: Theater , Russians United States -- History -- 20th century. , Russians , Russian Americans , Russian Americans Intellectual life -- 20th century. , Intellectual life , CivilizationRussian influences. , Russian Americans Intellectual life -- 19th century. , United States , Theater United States -- History -- 20th century. , Russians United States -- History -- 19th century. , United States Civilization -- Russian influences. , Theater United States -- History -- 19th century. , History
- ISBN: 0230113680 , 9780230113688
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界 Includes bibliographical references (p. [191]-203) and index. Part. Russians in American: the early years -- Part II. The Russian invasion of the American Theatre -- Part III. Revolutionary theatre: from Russian to America -- Conclusion -- Appendix: Representative U.S. performances featuring the work of theatre and dance arts from the Russian Empire.
- 摘要: "Between the 1890s and the 1930s, advancements in communication and travel encouraged widespread international cultural exchange, and Americans increasingly came into contact with Russian culture and theatrical performance. A number of factors, including emigration from Russia, world war, revolutionary activities in both Russia and the United States, and developments in modernism in the American theatre influenced the way those performances were received by American artists and audiences. Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance"--
- 系統號: 005257961
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance during the beginning of the twentieth century.
來源: Google Book
來源: Google Book
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