Acting :psychophysical phenomenon and process : intercultural and interdisciplinary perspectives
- 作者: Zarrilli, Phillip B.,
- 其他作者: Daboo, Jerri, , Loukes, Rebecca,
- 出版:
- 稽核項: xvi, 295 pages :illustrations ;22 cm.
- 叢書名: Theatre and performance practices
- 標題: Acting Psychological aspects. , Acting , Acting. , Psychological aspects.
- ISBN: 1403990557 , 9781403990556
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界 Includes bibliographical references (pages 268-290) and index. Preface / Phillip B. Zarrilli, Jerri Daboo, Rebecca Loukes -- Introduction: Acting as psychophysical phenomenon and process / Phillip B. Zarrilli -- Psychophysical acting in India / Phillip B. Zarrilli -- Psychophysical acting in Japan / Phillip B. Zarrilli -- Stanislavsky and the psychophysical in western acting / Jerri Daboo -- Making movement: the psychophysical in 'embodied' practices / Rebecca Loukes -- Beyond the psychophysical? The 'situated', 'enactive' bodymind in performance / Rebecca Loukes -- Afterword: Dialogue and paradox / Jerri Daboo -- Appendix I: A historical/contextual introduction to intercultural theatre / Phillip B. Zarrilli.
- 摘要: What is the relationship between body and mind, inner and outer in any approach to acting? How have different modes of actor training shaped actors' experiences of acting and how they understand their work? Phillip B. Zarrilli, Jerri Daboo and Rebecca Loukes offer insight into such questions, analysing acting as a psychophysical phenomenon and process across cultures and disciplines, and providing in-depth accounts of culturally and historically specific approaches to acting.
- 系統號: 005258346
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
What is the relationship between 'body' and 'mind', 'inner' and 'outer' in any approach to acting? How have different modes of actor training shaped actors' experiences of acting and how they understand their work? Phillip B. Zarrilli, Jerri Daboo and Rebecca Loukes offer insight into such questions, analysing acting as a psychophysical phenomenon and process across cultures and disciplines, and providing in-depth accounts of culturally and historically specific approaches to acting. Individual chapters explore: • psychophysical acting and the legacy of Stanislavsky • European psychophysical practices of dance and theatre • traditional and contemporary psychophysical approaches to performance in India and Japan • insights from the new sciences on the 'situated bodymind' of the actor • intercultural perspectives on acting This lively study is ideal for students and practitioners alike.
來源: Google Book
來源: Google Book
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