資料來源: Google Book

Getting directions :a fly-on-the-wall guide for emerging theatre directors

  • 作者: Hope, Russ.
  • 其他作者: Cooke, Dominic.
  • 出版: London, England : Nick Hern Books 2012.
  • 稽核項: xii, 283 pages :illustrations ;22 cm.
  • 標題: Production and direction. , Theater rehearsals , Theater , Theater rehearsals Handbooks, manuals, etc. , Theater Production and direction.
  • ISBN: 1848421826 , 9781848421820
  • 附註: "Fly-on-the-wall access to eight rehearsal rooms"--Page 4 of cover. 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界 Introduction : on a lighting gantry -- Matthew Dunster : Troilus and Cressida by William Shakespeare -- Steve Marmion : Dick Whittington and his cat by Joel Horwood, Morgan Lloyd Malcolm and Steve Marmion -- Natalie Abrahami : A midsummer night's dream by William Shakespeare -- Nikolai Foster : Great expectations by Tanika Gupta after Charles Dickens -- Carrie Cracknell : Electra by Nick Payne after Sophocles -- Joe Hill-Gibbins : The glass menagerie by Tennessee Williams -- OperaUpClose : Don Giovanni by Wolfgang Amadeus Mozart and Lorenzo Da Ponte -- Action Hero : Frontman by Gemma Paintin and James Stenhouse -- Epilogue : asking better questions.
  • 摘要: The theatre rehearsal room is a sacred place. What goes on there is mysterious, alchemical and closely guarded. Russ Hope gives us the benefit of fly-on-the-wall access to 8 rehearsal rooms. He has shadowed some of the UK's most exciting young directors at each step of the way, on productions as diverse as Shakespeare at the Globe, panto at the Lyric Hammersmith, and a touring Dickens dramatisation.
  • 系統號: 005258369
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
The theatre rehearsal room is a sacred place. What goes on there is mysterious, alchemical and closely guarded. So how are aspiring theatre directors supposed to learn their craft? In Getting Directions, Russ Hope gives us the benefit of unprecedented, fly-on-the-wall access to eight rehearsal rooms. He has shadowed some of the UK's most exciting young directors at each step of the way, on productions as diverse as Shakespeare at the Globe, Greek tragedy at the Gate, Tennessee Williams at the Young Vic, panto at the Lyric Hammersmith, and a touring Dickens dramatisation. Describing each of these rehearsal periods from first concept to first night in revealing and often remarkable detail, Hope gets under the skin of the professional director, and reveals the decisions they must make on a daily basis: How best to arrive at a concept and communicate this to a design team? Which games and exercises really help to unlock the text for actors? And what should you do if everything is falling apart during the tech? Getting Directions will equip emerging directors with a practical handbook, not bogged down with theories or precepts, that lifts the lid on what it means to be a director. The result is both a portrait and a masterclass from a generation of theatre practitioners, essential reading for anyone who wants to follow in their footsteps, or to understand what directing really entails. 'An incisive kaleidoscope of rehearsal-room practice which is a useful tool for directors to borrow from and a fascinating insight for the curious.' Dominic Cooke, from his Foreword
來源: Google Book
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