資料來源: Google Book

Theatre, performance and technology :the development and transformation of scenography

  • 作者: Baugh, Christopher,
  • 出版:
  • 版本: Second edition.
  • 稽核項: xix, 285 pages :illustrations (black and white) ;23 cm.
  • 叢書名: Theatre and performance practices
  • 標題: Theaters Stage-setting and scenery -- Technological innovations. , Theaters , Theaters Stage-setting and scenery. , Stage-setting and sceneryTechnological innovations. , Stage-setting and scenery.
  • ISBN: 1137005858 , 9781137005854
  • 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界 Previous edition: 2005. Includes bibliographical references (pages 266-271) and index. Performing great exhibitions: a nineteenth-century specialty -- Rejection of the past: a modern mode of thought -- The scene as machine, 1: Scenography as a machine for performance -- The scene as machine, 2: Constructing and building the scene as machine -- The scene as machine, 3: The kinetic stage machines of Joseph Svoboda -- The century of light, 1: Diffused and living light -- The century of light, 2: Light beams and images -- The scene as the architecture of performance -- Some rejections of technology in theatre and performance -- New technologies and shifting paradigms -- Scenography as dramaturgy of performance.
  • 摘要: Throughout history, scenography has played a significant role in theatre, always drawing upon the latest technologies of manufacture and control. In the twenty-first century, it is fast becoming an artistic practice in its own right, engaging with audiences in varied ways. Christopher Baugh considers how change in scenographic identity has impacted upon the place and meaning of performance over the past 300 years. Thoroughly revised and updated, the second edition discusses: moving light technologies; the Internet as a platform of performance; urban scenography; scenography's role in the creation of memory; the development of scenography as a collaborative practice.
  • 系統號: 005258521
  • 資料類型: 圖書
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  • 引用網址: 複製連結
Throughout history, scenography has played a significant role in theatre, always drawing upon the latest technologies of manufacture and control. In the twenty-first century, it is fast becoming an artistic practice in its own right, engaging with audiences in varied ways. Christopher Baugh considers how change in scenographic identity has impacted upon the place and meaning of performance over the past 300 years. Thoroughly revised and updated, the second edition discusses: • moving light technologies • the Internet as a platform of performance • urban scenography • scenography's role in the creation of memory • the development of scenography as a collaborative practice.
來源: Google Book
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