Comedy and the public sphere :the rebirth of theatre as comedy and the genealogy of the modern public arena

• 作者: Szakolczai, Árpád.
• 出版: New York : Routledge 2013.
• 稽核項: 357 p. ;24 cm.
• 叢書名: Routledge studies in social and political thought ;77
• 標題: Theater , Theater Europe -- History. , History. , Theater and society , Theater and society Europe -- History. , Comedy.
• ISBN: 041562391X , 9780415623919
• 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界 Includes bibliographical references ([311]-328) and indexes. Introduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage -- Ridiculing as public weapon --The rebirth of theatre as comedy out of the spirit of the Byzantium -- The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit -- The rise of theatre in Venice -- The effect mechanism of Commedia dell'Arte: visions and realities of commedification -- Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types -- Shakespeare: the tragedy of world history being a comedy -- Representing representation: visionary images of Commedia dell'Arte -- The rebirth of Commedia dell'Arte as the Avant-garde. The rebirth of Pierrot as suffering victim -- Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary -- Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold -- Conclusion.
• 系統號: 005258540
• 資料類型: 圖書
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• 引用網址: 複製連結
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