資料來源: Google Book
Brechtian theatre of contradictions :providing moral strength under conditions of dictatorship : a Festschrift for Heinz-Uwe Haus
- 其他作者: Haus, Heinz-Uwe, , Meyer-Dinkgräfe, Daniel,
- 出版: Newcastle, U.K. : Cambridge Scholars Publishing 2007.
- 稽核項: xiv, 319 p. ;22 cm.
- 標題: Production and directionHistory , Haus, Heinz-Uwe, , Theater , Germany (East) Politics and government. , Germany (East) , Theater and society Germany (East) -- History -- 20th century. , Brecht, Bertolt, 1898-1956 Appreciation. , Brecht, Bertolt, , Theater and society , Politics and government. , Appreciation. , Theater Political aspects -- Germany (East) -- History -- 20th century. , Theater Production and direction -- Germany (East) -- History -- 20th century. , Political aspectsHistory , Haus, Heinz-Uwe, 1942- , History
- ISBN: 1847184251 , 9781847184252
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界 Includes bibliographical references.
- 系統號: 005258732
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Heinz-Uwe Haus (b. 1942), trained in the former German Democratic Republic as an actor and theatre director, among others as master disciple with some of Brechtâ (TM)s immediate students and collaborators. He directed at the Deutsches Theater Berlin and became the leader of the Academy founded in the GDR to train theatre directors. A passionate opponent of the totalitarian regime, he developed his theatre practice as an active device to provide moral strength, under conditions of dictatorship, for himself, those who worked with him, and those who saw his productions. He was involved politically in the movement that led to the collapse of the GDR. Altogether, the material collected in this book, Hausâ (TM)s own work, as well as commentaries by others from a range of perspectives, should serve not only as a documentation of the work of one major German theatre artist: it should support efforts to alert the present about aspects of the past that are all too easily and conveniently (both for all the wrong reasons), misrepresented, covered or hushed up, brushed aside and in due course forgotten. Theatre for Haus, during GDR times, was a means to survive, not only metaphorically. After liberation, post 1989, post GDR, theatre has lost nothing of its importance, quite the contrary. The book hopes to help understand both.
來源: Google Book
來源: Google Book
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