資料來源: Google Book
The Latino Theatre Initiative/Center Theatre Group papers, 1980-2005
- 其他作者: Rodriguez, Chantal.
- 出版: Los Angeles : UCLA Chicano Studies Research Center Press 2010.
- 稽核項: ix, 86 p. :ill. ;28 cm.
- 叢書名: The Chicano archives ;v. 4
- 標題: Latino Theater Initiative , Latino Theater Initiative Archives. , Hispanic American theater , Archival resources. , Center Theatre Group of Los Angeles , Center Theatre Group of Los Angeles Archives. , Hispanic American theater California -- Los Angeles -- Archival resources.
- ISBN: 0895511436 , 9780895511430
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界 Includes bibliographical references (p. 81-82).
- 系統號: 005258856
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Literary Nonfiction. Memoir. WHO WAS COUSIN ALICE? AND OTHER QUESTIONS attempts to answer both the first question posed in the title about American poet John Matthias's early family memories, and then to raise and engage, in a series of memoirs and critical essays, a large number of "other questions." These range from an attempt to find some answers about his wife's British family in "Kedging in 'Kedging in Time,'" an essay-memoir first published as an afterword to his long poem "Kedging," about the Adams and Young families during and after World War I, to memoirs inquiring into "Poetry and Insomnia," "Poetry and Murder," and the literary imaginations of "Grand Old Dirty Old Men"—Yasunari Kawabata, Gabriel García Márquez, and Octavio Paz, among others—an examination of erotic writing of the old and aging as a manifestation of "late style." Specifically literary essays include considerations of W. H. Auden, Benjamin Britten, Roy Fisher, Paul Muldoon, John Berryman, Robert Hass, Robert Pinsky, Michael Anania, and "British Poetry at Y2K." In this hybrid mix of genres—both very recent work and a selection of pieces culled from the last twenty-five years—Matthias has added a number of poems that enter into a dialogue with his essays and memoirs. Guy Davenport has said that Matthias's prose "is written in a congenial and civilized style," and that while he "writes for a general audience that reads," his work, taken together, constitutes "a critical tour de force."
來源: Google Book
來源: Google Book
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