After-affects after-images :trauma and aesthetic transformation in the virtual feminist museum
- 作者: Pollock, Griselda,
- 出版:
- 稽核項: xxxii, 383 pages, 16 unnumbered pages of plates :illustrations (some color) ;24 cm.
- 叢書名: Rethinking art's histories
- 標題: Feminism and art. , Psychic trauma in art.
- ISBN: 0719087988 , 9780719087981
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題 : 藝術學 : 博物館蒐藏與文化展示. Includes bibliographical references and index. Introduction : trauma and artworking -- Gasping at violence : Daphne's open mouth and the trauma of gender -- Seduction, mourning and invocation : the geometry of absence in works by Louise Bourgeois -- Being and language : Anna Maria Maiolino's gestures of exile and connection -- Traumatic encryption : the sculptural dissolutions of Alina Szapocznikow -- Fictions of fact : memory in transit in Vera Frenkel's video installation works Transit bar (1992) and Body missing (1994) -- Deadly objects and dangerous confessions : the tale of Sarah Kofman's father's pen -- '...that, again!' : pathos formula as transport station of trauma in the cinematic journey of Chantal Akerman
- 摘要: "Do artists travel away from or towards trauma? Is trauma encrypted or inscribed in art? Or can aesthetic practices (after-images) bring about transformation of trauma, personal trauma or historical traumas? Can they do this in a way that does not imply cure or resolution of the traces (after-affects) of trauma? How do artists themselves process these traces as participants in and sensors for our life-worlds and histories, and how does the viewer, coming belatedly or from elsewhere, encounter works bearing such traces or seeking forms through which to touch and transform them?
- 系統號: 005259029
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Do artists travel away from or towards trauma? Is trauma encrypted or inscribed in art? Or can aesthetic practices – after-images – bring about transformation – that does not imply cure or resolution – of the traces – after-affects – of trauma, personal trauma or historical traumas inhabiting the world whose traces artists also process as participants in and sensors for our life-worlds and histories? How does the viewer, coming belatedly or from elsewhere encounter works bearing such traces or seeking forms through which to touch and transform them? These are some of the questions posed by major feminist art historian and cultural analyst, Griselda Pollock, in her latest installation of the virtual feminist museum. In closely-read case studies, we encounter artworks by Gian Lorenzo Bernini, Ana Mendieta, Louise Bourgeois, Alina Szapocznikow, Anna Maria Maiolino, Vera Frenkel, Sarah Kofman and Chantal Akerman to explore trauma and bereavement, fatal illness, first and second generation Holocaust experience, migration, exile and the encounter with political horror and atrocity. Offering a specifically feminist contribution to trauma studies, and a feminist psychoanalytical contribution to the study of contemporary art, this volume continues the conceptual innovations that have been the hall-mark of Pollock's dedicated exploration of 'feminist interventions in art's histories'.
來源: Google Book
來源: Google Book
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