資料來源: Google Book

Saloua Raouda Choucair

  • 其他作者: Morgan, Jessica, , Coxon, Ann, , Scheid, Kirsten, , Wilson-Goldie, Kaelen, , Tate Modern (Gallery),
  • 出版:
  • 稽核項: 176 pages :illustrations (chiefly color) ;28 cm.
  • 標題: Choucair, Saloua Raouda, 1916- Exhibitions. , Criticism and interpretation. , Choucair, Saloua Raouda, , Choucair, Saloua Raouda, 1916- Criticism and interpretation. , Art, Lebanese , Art, Lebanese 20th century.
  • ISBN: 1849761248 , 9781849761246
  • 附註: Published on the occasion of the exhibition Saloua Raouda Choucair held at the Tate Modern, 16th April-20th October, 2013. Includes bibliographical references and index.
  • 摘要: Saloua Raouda Choucair, born in 1916 in Beirut, was the first abstract artist in Lebanon, and her exhibition in 1947 at the Arab Cultural Gallery in Beirut is considered to have been the Arab world's first abstract painting display. In 1948 she left Lebanon and went to Paris, where she studied at the Ecole nationale superieure des Beaux-Arts and attended Fernand Leger's studio. In 1950, she was one of the first Arab artists to participate in the Salon des Realites Nouvelles in Paris. By 1962 she began to concentrate completely on sculpture, and by 1963, she was awarded the National Council of Tourism Prize for the execution of a stone sculpture for a public site in Beirut. Choucair's work has been considered as one of the best examples of the spirit of abstraction characteristic of Arabic visual and geometric art, apparently disconnected from the observation of nature.--Provided by publisher.
  • 系統號: 005259414
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
Saloua Raouda Choucair, born in 1916 in Beirut, was the first abstract artist in Lebanon, and her exhibition in 1947 at the Arab Cultural Gallery in Beirut is considered to have been the Arab world's first abstract painting display. In 1948 she left Lebanon and went to Paris, where she studied at the Ecole nationale superieure des Beaux-Arts and attended Fernand Leger's studio. In 1950, she was one of the first Arab artists to participate in the Salon des Realites Nouvelles in Paris. By 1962 she began to concentrate completely on sculpture, and by 1963, she was awarded the National Council of Tourism Prize for the execution of a stone sculpture for a public site in Beirut. Her continued success and string of awards in Lebanon culminated in a retrospective exhibition at the Beirut Exhibition Center in 2011. Choucair's work has been considered as one of the best examples of the spirit of abstraction characteristic of Arabic visual and geometric art, apparently disconnected from the observation of nature. Firmly believing in the arithmetical basis of Islamic art, she has long rejected figurative thinking and relinquished all symbolic or iconic references. Saloua Raouda Choucair's work has not been exhibited widely outside of Lebanon, and this will be the first time a new audience can see and appreciate a long underexposed and truly progressive artist.
來源: Google Book
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