During the nineteenth century, cultural heritage became a dominant feature of the political ideology of European states and their colonies. It became a new form of legitimisation for the rising nation-state, cementing an inextricable link between politics and cultural practices. The set of concepts and practices defining cultural heritage were exported to, and imposed over, the colonised populations in North Africa and the Near East. This legacy of the colonial period has proven very significant in the domain of cultural heritage which has become a crucial cultural arena in many Arab states. As in the majority of post-colonial states in the Arab world, the inherited paradigm of cultural heritage has been subject to various forms of adaption and re-elaboration that have made it a lively and complex space of negotiation between various actors. Thus, in The Politics and Practices of Cultural Heritage in the Middle Eart, Rami Daher and Irene Maffi draw together an analysis which unravels the complex processes that are involved in the definition, production and consumption of heritage and its material culture in the Middle East, and the dynamics of the key actors involved. The variety of the cases analysed that cover the region from Morocco to Lebanon, as well as the multiplicity of the actors concerned such as the state (post-colonial or colonial), international organisations, municipal councils, local communities, families and even exceptional personalities. In doing so, this hook highlights and explores the complex processes where very local and specific dynamics intertwine with transnational economic, political and cultural fluxes. In its examination of the workings of cultural heritage in the Middle East, this book is an important resource for students and scholars of Middle East Studies, Cultural History, History of Art and Architecture, and for stakeholders involved in the field of cultural heritage. --Book Jacket.
來源: Google Book