附註:103年科技部補助人文及社會科學研究圖書設備計畫規畫主題:藝術學:全球化與劇場跨界
Includes bibliographical references and index.
Machine generated contents note: -- Acknowledgements -- 1. Situating Friel -- 2. Coming of Age: Philadelphia, Here I Come! -- 3. Formation of an Aesthetic: The Loves of Cass McGuire and Crystal and Fox -- 4. Speaking Out: The Freedom of the City and Volunteers -- 5. Uncertainty, Memory, Tragedy: Living Quarters and Faith Healer -- 6. A Kind of Trilogy: Making History, Translations and The Home Place -- 7. The Chekhov Factor and Gender Issues: Aristocrats, Dancing at Lughnasa and Molly Sweeney -- 8. 'The Vodka-and-Tonic Society': Wonderful Tennessee and Give Me Your Answer, Do! -- 9. Critical Perspectives: Shaun Richards, 'Placed Identities for Placeless Times: Brian Friel and Post-Colonial Criticism' -- David Krause, 'The Failed Words of Brian Friel' -- Csilla Bertha, 'Art as a lieu de memoire in Brian Friel's The Home Place'10 -- Performances -- 11. End Notes -- Selected bibliography -- Notes on contributors -- Index.
摘要:"Brian Friel is Ireland's foremost living playwright, whose work spans fifty years and has won numerous awards, including three Tonys and a Lifetime Achievement Arts Award. Author of twenty-five plays, and whose work is studied at GCSE and A level (UK), and the Leaving Certificate (Ire), besides at undergraduate level, he is regarded as a classic in contemporary drama studies. Christopher Murray's Critical Companion is the definitive guide to Friel's work, offering both a detailed study of individual plays and an exploration of Friel's dual commitment to tradition and modernity across his oeuvre. Beginning with Friel's 1964 work Philadelphia, Here I Come!, Christopher Murray follows a broadly chronological route through the principle plays, including Aristocrats, Faith Healer, Translations, Dancing at Lughnasa, Molly Sweeney and The Home Place. Along the way it considers themes of exile, politics, fathers and sons, belief and ritual, history, memory, gender inequality, and loss, all set against the dialectic of tradition and modernity. It is supplemented by essays from Shaun Richards, David Krause and Csilla Bertha providing varying critical perspectives on the playwright's work"--
