資料來源: Google Book
Unfinished gestures :devadāsīs, memory, and modernity in South India
- 作者: Soneji, Devesh.
- 出版: Chicago ;London : University of Chicago Press c2012.
- 稽核項: xiii, 313 p. ;24 cm.
- 叢書名: South Asia across the disciplines
- 標題: Prostitution , Dance Social aspects -- India, South. , Social conditions. , Dance , Devadāsīs India, South -- Social conditions. , Social change , Social aspects , Prostitution India, South. , Devadāsīs , Social change India, South. , Devadāsīs India, South.
- ISBN: 0226768104 , 9780226768106
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界 Includes bibliographical references (p. 271-295) and index. On historical, social, and aesthetic borderlands -- Producing dance in colonial Tanjore -- Whatever happened to the South Indian nautch?: toward a cultural history of salon dance in Madras -- Subterfuges of "respectable" citizenship: marriage and masculinity in the discourse of devadāsā reform -- Historical traces and unfinished subjectivity: remembering devadāsā dance at Viralimalai -- Performing untenable pasts: aesthetics and selfhood in coastal Andhra Pradesh -- Coda: gesturing to devadāsā pasts in today's Chennai.
- 系統號: 005260548
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Unfinished Gestures presents the social and cultural history of courtesans in South India who are generally called devadasis, focusing on their encounters with colonial modernity in the nineteenth and early twentieth centuries. Following a hundred years of vociferous social reform, including a 1947 law that criminalized their lifestyles, the women in devadasis communities contend with severe social stigma and economic and cultural disenfranchisement. Adroitly combining ethnographic fieldwork with historical research, Davesh Soneji provides a comprehensive portrait of these marginalized women and unsettles received ideas about relations among them, the aesthetic roots of their performances, and the political efficacy of social reform in their communities. Poignantly narrating the history of these women, Soneji argues for the recognition of aesthetics and performance as a key form of subaltern self-presentation and self-consciousness. Ranging over courtly and private salon performances of music and dance by devadasis in the nineteenth century, the political mobilization of devadasis identity in the twentieth century, and the post-reform lives of women in these communities today, Unfinished Gestures charts the historical fissures that lie beneath cultural modernity in South India.
來源: Google Book
來源: Google Book
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