資料來源: Google Book

Crucible bodies :postwar Japanese performance from Brecht to the new millennium

  • 作者: Uchino, Tadashi,
  • 出版: London ;New York : Seagull Books ©2009.
  • 稽核項: viii, 212 pages :illustrations ;24 cm.
  • 叢書名: Enactments
  • 標題: Theater Japan -- History -- 21st century. , Theater , Theater Japan -- History -- 20th century. , History
  • ISBN: 1905422741 , 9781905422746
  • 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界 Includes bibliographical references (pages 196-201) and index. Political displacements : towards historicizing Brecht in Japan, 1932-98 -- Images of Armageddon : Japan's 1980s' theatre culture -- From 'beautiful' to 'cute' : a note on beauty in modern and postmodern Japan -- Deconstructing 'Japaneseness' : towards articulating locality and hybridity in contemporary Japanese performance -- Playing betwixt and between : intercultural performance in the age of globalization -- Fictional body versus junk body : thinking through the performing body in contemporary Japan, or why is ancient Greek drama still produced? -- Pop, postmodernism and junk : Murakami Takashi and 'J' theatre -- Globality's children : the 'child's' body as a strategy of flatness in performance -- Nationalism, intra-nationalism : re-imagining the boundary -- Mapping/zapping 'J' theatre at the moment -- Miyazawa Akio after 9/11 : physical dementia and undoing history in the 'J' locality -- Epilogue : interculturalism revisited after 9/11.
  • 摘要: 'Crucible Bodies' is a study of Japanese performance culture. It covers a range of historical and theoretical topics, from Brecht in Japan to 'children's' bodies in postmodern Japanese performances, from the notion of beauty in contemporary cultural theory to practical and theoretical readings of recent intercultural performances.
  • 系統號: 005260551
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
'Crucible Bodies' is a study of Japanese performance culture. It covers a range of historical and theoretical topics, from Brecht in Japan to 'children's' bodies in postmodern Japanese performances, from the notion of beauty in contemporary cultural theory to practical and theoretical readings of recent intercultural performances.
來源: Google Book
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