資料來源: Google Book

Avant-garde performance & the limits of criticism :approaching the Living Theatre, happenings/Fluxus, and the Black Arts movement

  • 作者: Sell, Mike,
  • 出版: Ann Arbor : University of Michigan Press c2008.
  • 版本: 1st pbk. ed.
  • 稽核項: vi, 327 p. :ill. ;23 cm.
  • 叢書名: Theater--theory/text/performance
  • 標題: Living Theatre (New York, N.Y.) , Fluxus (Group of artists) , Black Arts movement.
  • ISBN: 0472033077 , 9780472033072
  • 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界 Originated in the author's dissertation. Originally published: University of Michigan Press, 2005. Includes bibliographical references (p. 291-313) and index. Introduction: The Revolution Will Not Be Theorized -- Case 1: The Connection: Cruelty, Jazz, and Drug War, 1959---1963 -- Chapter 1: Cruelty and the Cold War -- Chapter 2: Jazz and Drug War -- Case 2: Happenings, Fluxus, and the Production of Memory -- Chapter 3: Bad Memory -- Chapter 4: The Avant-Garde Disappears -- Chapter 5: Performance and the Mode of Production -- Case 3: The Black Arts Movement: Text, Performance, Blackness -- Chapter 6: Blackness as Critical Practice -- Chapter 7: Blackness and Text -- Chapter 8: Was the Black Arts Movement an Avant-Garde?
  • 摘要: Avant-Garde Performance and the Limits of Criticism looks at the American avant-garde during the Cold War period, focusing on the interrelated questions of performance practices, cultural resistance, and the politics of criticism and scholarship in the U.S. counterculture. This groundbreaking book examines the role of the scholar and critic in the cultural struggles of radical artists and reveals how avant-garde performance identifies the very limits of critical consideration. It also explores the popularization of the avant-garde: how formerly subversive art is eventually discovered by the mass media, is gobbled up by the marketplace, and finds its way onto the syllabi of college and university courses. This book is a timely and significant book that will appeal to those interested in avant-garde literary criticism, theater history, and performance studies.
  • 系統號: 005261030
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
Avant-Garde Performance and the Limits of Criticism looks at the American avant-garde during the Cold War period, focusing on the interrelated questions of performance practices, cultural resistance, and the politics of criticism and scholarship in the U.S. counterculture. This groundbreaking book examines the role of the scholar and critic in the cultural struggles of radical artists and reveals how avant-garde performance identifies the very limits of critical consideration. It also explores the popularization of the avant-garde: how formerly subversive art is eventually discovered by the mass media, is gobbled up by the marketplace, and finds its way onto the syllabi of college and university courses. This book is a timely and significant book that will appeal to those interested in avant-garde literary criticism, theater history, and performance studies.
來源: Google Book
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