The unwritten Grotowski :theory and practice of the encounter

• 作者: Salata, Kris.
• 出版: New York : Routledge 2012.
• 稽核項: xvi, 220 p. ;24 cm.
• 叢書名: Routledge advances in theatre and performance studies ;26
• 標題: Grotowski, Jerzy, , Criticism and interpretation. , Philosophy. , Performing arts , Grotowski, Jerzy, 1933-1999 Criticism and interpretation. , Performing arts Philosophy.
• ISBN: 0415534038 , 9780415534031
• 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界. Includes bibliographical references (p. [207]-214) and index.
• 摘要: "This book gives a new view on the legacy of Jerzy Grotowski (1933-1999), one of the central, and yet misunderstood, figures who shaped 20th-century theatre, focusing on his least known last phase of work on ancient songs and the craft of the performer. Salata posits Grotowski's work as philosophical practice, and more particularly, as practical research in the phenomenology of being, arguing that Grotowski's departure from theatrical productions (and thus critical consideration) resulted from his uncompromising pursuit of one central problem, "What does it mean to reveal oneself?" --the very question that drove his stage directing work. The book demonstrates that the answer led him through the path of gradually stripping the theatrical phenomenon down to its most elemental aspect, which shows itself through the craft of the performer as a non-representational event. This particular quality released at the heights of the art of the performer is referred to as aliveness, or true liveness in this study in order to shift scholarly focus onto something that has always fascinated great theatre practitioners, including Stanislavski and Grotowski, and of which academic scholarship has limited grasp. Salata's theoretical analysis of aliveness reaches out to phenomenology and a broad range of post-structural philosophy and critical theory, through which Grotowski's project is portrayed as philosophical practice"--
• 系統號: 005261822
• 資料類型: 圖書
• 讀者標籤: 需登入
• 引用網址: 複製連結
• 目前引用數