Shakespeare re-dressed :cross-gender casting in contemporary performance
- 其他作者: Bulman, James C.,
- 出版: Madison [NJ] : Fairleigh Dickinson University Press c2008.
- 稽核項: 255 p. :ill. ;24 cm.
- 標題: Feminism and theater. , Stage history , Theater , Shakespeare, William, 1564-1616 Stage history -- 1950- , Sex role in the theater. , CastingHistory , Theater Casting -- History -- 20th century. , Shakespeare, William, 1564-1616 Dramatic production. , Shakespeare, William, , Homosexuality and theater. , Dramatic production. , Gender identity in the theater.
- ISBN: 0838641148 , 9780838641149
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界. Includes bibliographical references and index. Cross-dressing, drag, and passing: slippages in Shakespearean comedy / Jennifer Drouin -- Acting against the rules: remembering the eroticism of the Shakespearean boy actress / Roberta Barker -- Bringing Cheek by Jowl's As you like it out of the closet: the politics of queer theater / James C. Bulman -- Rosalind's breast / Cary M. Mazer -- Unaccommodated woman: Mabou Mines' Lear, the universal, and the particular in performance / P.A. Skantze -- Prospera's brave new world: cross-cast oppression and the four-fold player in the Georgia Shakespeare Festival's Tempest / Andrew James Hartley -- "A queen in a beard": a study of all-female Shakespeare companies / Melissa D. Aaron -- Re-dressing the balance: all-female Shakespeare at the Globe Theatre / Elizabeth Klett -- Constructing femininity in the new Globe's all-male Antony and Cleopatra / Robert Conkie -- Performing gender at the Globe: the technologies of the cross-dressed actor / Judith Rose -- Unsex me here: male cross-dressing at the new Globe / James C. Bulman.
- 系統號: 005261860
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
"This collection covers a wide range of Shakespeare productions, from Granville Barker and Poel's experiments with cross-gender casting to recent performances by Cheek by Jowl, the National Theatre, and the new Globe; from early twentieth-century performances by women's companies in England and Japan to contemporary stagings by the Los Angeles Women's Shakespeare Company; from Mabou Mines' controversial Lear in New York to a more subtly transgressive Tempest by the Georgia Shakespeare Festival." "These essays are comprehensive in their consideration of cross-gender-cast Shakespeare as it evolved over the past century. Theoretically informed yet grounded in the particularity of individual performances, they forge new connections between performance studies and gender theory and broach issues vital to anyone interested in Shakespeare."--BOOK JACKET.
來源: Google Book
來源: Google Book
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