Social status and cultural consumption
- 其他作者: Chan, Tak Wing.
- 出版: Cambridge, UK ;New York : Cambridge University Press 2012, c2010.
- 稽核項: xv, 273 p. :ill. ;24 cm.
- 標題: Social status. , Social aspects. , Consumption (Economics) , Consumption (Economics) Social aspects.
- ISBN: 1107406986 , 9781107406988
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題 : 藝術學 : 博物館蒐藏與文化展示. Social status and cultural consumption / Tak Wing Chan and John H. Goldthorpe -- The social status scale: its construction and properties / Tak Wing Chan -- Social stratification and musical consumption: highbrow-middlebrow in the United States / Arthur S. Alderson, Isaac Heacock and Azamat Junisbai -- Bourdieu's legacy and the class-status debate on cultural consumption: musical consumption in contemporary France / Philippe Coulangeon and Yannick Lemel -- Social status and public cultural consumption: Chile in comparative perspective / Florencia Torche -- Social stratification and cultural participation in Hungary: a post-communist pattern of consumption? / Erzsébet Bukodi -- Status, class, and culture in the Netherlands / Gerbert Kraaykamp, Koen van Eijck and Wout Ultee -- Social stratification of cultural consumption across three domains: music; theatre, dance and cinema; and the visual arts / Tak Wing Chan and John H. Goldthorpe. Includes bibliographical references and index.
- 摘要: Leading scholars from around the world examine the social stratification of arts and culture in contemporary society.
- 系統號: 005262104
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
How does cultural hierarchy relate to social hierarchy? Do the more advantaged consume 'high' culture, while the less advantaged consume popular culture? Or has cultural consumption in contemporary societies become individualised to such a degree that there is no longer any social basis for cultural consumption? Leading scholars from the UK, the USA, Chile, France, Hungary and the Netherlands systematically examine the social stratification of arts and culture. They evaluate the 'class-culture homology argument' of Pierre Bourdieu and Herbert Gans; the 'individualisation arguments' of Anthony Giddens, Ulrich Beck and Zygmunt Bauman; and the 'omnivore-univore argument' of Richard Peterson. They also demonstrate that, consistent with Max Weber's class-status distinction, cultural consumption, as a key element of lifestyle, is stratified primarily on the basis of social status rather than by social class.
來源: Google Book
來源: Google Book
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