Further on, nothing :Tadeusz Kantor's theatre
- 作者: Kobialka, Michal.
- 出版: University of Minnesota Press : Minneapolis 2009.
- 稽核項: 533 p. ;23 cm.
- 標題: Theatrical producers and directors , Theatrical producers and directors Poland -- Biography. , Experimental theater Poland. , Kantor, Tadeusz, , Kantor, Tadeusz, 1915-1990. , Experimental theater
- ISBN: 0816654816 , 9780816654819
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界. My work-my journey (1988). Topography of representation -- Independent theatre (1942-1944) -- After the war (1947-1948) -- Cricot 2 Theatre (about 1963) -- Reality of the lowest rank (1980) -- The autonomous theatre (1956/1963) -- The litany of the informel art (1955) -- The informel (n.d.) -- The Informel Theatre (1961) -- The Zero Theatre (1963) -- The emballage (1957-1965) -- The "I" Theatre (about 1969) -- The Impossible Theatre (1969-1973) -- Spatial historiography: the dead class. A classroom (1971 or 1972) -- The theatre of death (1975) -- The dead class (1974) -- Theatre of similitude. Theatrical place (1970s-1980s) -- The room. Maybe a new phase (1980) -- Etudes-sketches of a scenario -- "The Last Supper" sequence of rehearsals (1980) -- Prison (1985) -- Reflection (1985) -- To save from oblivion (1988) -- The real "I" (1988) -- Illusion: Illusion and repetition. My meetings with death (1987) -- Memory (1988) -- Spatial historiography: silent night . A short history of my life -- Silent night (Cricotage) (1990) -- Silent night-Partytura (Cricotage) (1990) -- The space of khora -- My room (1990) -- A painting (1990) -- From the beginning my credo was....
- 系統號: 005262284
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Tadeusz Kantor (1915-1990) was one of the twentieth century's most innovative visual artists, stage directors, and theoreticians. His theatre productions and manifestos challenged the conventions of creating art in post-World War II culture and expanded the boundaries of Dada, surrealist, Constructivist, and happening theatre forms. Kantor's most widely known productions--The Dead Class (1975), Wielopole, Wielopole (1980), Let the Artists Die (1985), and Today Is My Birthday (1990)--have had a profound impact on playwrights and artists who continue today to engage with his radical theatre. In Fur.
來源: Google Book
來源: Google Book
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