資料來源: Google Book
Kissing the mask :beauty, understatement, and femininity in Japanese Noh theater : with some thoughts on muses (especially Helga Testorf), transgender women, Kabuki goddesses, porn queens, poets, housewives, makeup artists, geishas, valkyries, and Venus figurines
- 作者: Vollmann, William T.
- 出版: New York : Ecco 2011, c2010.
- 版本: 1st Ecco pbk. ed.
- 稽核項: xxi, 504 p. :ill., map ;23 cm.
- 標題: Women in the theater , Gender identity in the theater , Women in the theater Japan. , Transgender people Social aspects. , Sex role in the theater , Nō plays. , Femininity. , Social aspects. , Beauty, Personal. , Kabuki. , Geishas. , Feminine beauty (Aesthetics) , Nō. , Transgender people , Gender identity in the theater Japan. , Sex role in the theater Japan.
- ISBN: 0061228494 , 9780061228490
- 附註: Reprint. Originally published: c2010. 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界. Includes bibliographical references (p. [436]-500). Understatements about this string-ball of idle thoughts -- I. Black hair. "The mask is most important always" : the Noh performances of Umewaka Rokuro -- Schematics : roles, rules, props -- Malignance and charm : a catalogue of female masks -- A branch of flowers : steps to ineffability -- The dragons of Kasuga : texts, places, histories, masks -- Sunshine at midnight : an interview with Mr. Mikata Shizuka -- Perfect faces : maiden, mask, geisha, wife, princess -- Aya Kudo and the Zo-onna : a porn model compared with a Noh goddess -- Her golden lips slightly parted : an image of Kannon -- Crossing the abyss : the three beings of three women -- What is grace? A list and a possible hermeneutic -- Rainbow skirts : the loveliness of Lady Yang -- Jewels in the darkness : the dances of Kofumi-san and Konomi-san -- "She cannot do anything else" : compulsions, costs, achievements -- Suzuka's dressing room : a geisha gets ready -- "They just want to look in the mirror" : Yukiko makes me over -- "I sit with my legs closed" : glimpses of onnagatas -- "There's no ugly lady face" : Katy transforms -- The phallus of Tiresias : what is a woman? -- II. White arms. A curtain of mist : understatement and concealment -- In the forest : an apology -- Sun-bright like swords : the beauty of valkyries -- Passing light : Andrew Wyeth's Helga pictures -- Who is the willow tree goddess? Snatches of a play -- III. Beauty's ghost. Snow in a silver bowl : an epitaph for Radha's grace -- Beauty's ghost : Ono no Komachi in traditional Noh plays -- Urashima's box : a few thoughts about time -- The decay of the angel : Komachi in the Noh plays of Mishima Yukio -- IV. The moon maiden goes home. Sunshine on Silla : the unknown -- Pine tree constancy : "Takasago," "Izutsu" and "Matsukaze" -- Kagekiyo's daughter : "Semimaru" and the plays of separation -- Behind the rainbow curtain : going home beneath the skin -- Appendix A : Descriptions of feminine beauty in The pillow book of Sei Shonagon (ca. 1000-1010) -- Appendix B : Descriptions of feminine beauty in some Old Norse sources -- Appendix C : Descriptions of feminine beauty in Sappho and miscellaneous Greek lyric sources -- Appendix D : Proportions of feminine beauty in some classical and Western European sources -- Appendix E : Noh play groups, and plays mentioned.
- 摘要: "What is a woman? To what extent is femininity a performance? Writing with the extra-ordinary awareness and endless curiosity that have defined his entire oeuvre, William T. Vollmann takes an in-depth look at the Japanese craft of Noh theater, using the medium as a prism to reveal the conception of beauty itself." "Kissing the Mask explores the enigma surrounding Noh theater and the traditions that have made it intrinsic to Japanese culture for centuries."--[book cover]
- 系統號: 005262311
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
From the National Book Award-winning author of Europe Central, a charming, evocative and piercing examination of an ancient Japanese tradition and the keys it holds to our modern understanding of beauty What is a woman? To what extent is femininity a performance? Writing with the extra-ordinary awareness and endless curiosity that have defined his entire oeuvre, William T. Vollmann takes an in-depth look at the Japanese craft of Noh theater, using the medium as a prism to reveal the conception of beauty itself. Sweeping readers from the dressing room of one of Japan's most famous Noh actors to a trans-vestite bar in the red-light district of Kabukicho, Kissing the Mask explores the enigma surrounding Noh theater and the traditions that have made it intrinsic to Japanese culture for centuries. Vollmann then widens his scope to encompass such modern artists of desire and loss as Mishima, Kawabata and Andrew Wyeth. From old Norse poetry to Greek cult statues, from elite geisha dancers to American makeup artists, from Serbia to India, Vollmann uncovers secrets of staged femininity and mysteries of perceived and expressed beauty, including specific makeup procedures furnished by an L.A. transgender bar girl, a Kabuki female impersonator, and the owner of a semi-clandestine studio for Tokyo cross-dressers. Kissing the Mask is illustrated with many evocative sketches and photographs by the author.
來源: Google Book
來源: Google Book
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