Worldly stage :theatricality in seventeenth-century China
- 作者: Volpp, Sophie,
- 出版: Cambridge, Mass : Harvard University Asia Center :Distributed by Harvard University Press 2011.
- 稽核項: xii, 371 p. ;24 cm.
- 標題: History and criticism. , Theater , Chinese drama 17th century -- History and criticism. , Chinese drama , Theater China -- History -- 17th century. , History
- ISBN: 0674021444 , 9780674021440
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界 Includes bibliographical references and index. Introduction -- Significance of theatricality in seventeenth-century China -- Performance practice and stage architecture -- Theatricality and pedagogy in Tang Xianzu's Mudan Ting (The Peony Pavilion) -- Illusion and allusion: the theatricality of gender and history in Wang Jide's Nan Wanghou (The male queen) -- Literary consumption of actors in seventeenth-century China -- Storyteller Liu Jingting : the theatricality of the "vernacular" in Kong Shangren's Taohua Shan (The peach blossom fan) -- Conclusion.
- 系統號: 005262316
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The goal of "Worldly Stage" is to show how the theater acquired the figurative power to animate diverse aspects of literati cultural production. Conceptions of theatrical spectatorship, Sophie Volpp argues, helped shape a discourse on social spectatorship that suggested how a discerning person might evaluate the performance of status.
來源: Google Book
來源: Google Book
評分
