Inventing Marcel Duchamp :the dynamics of portraiture
- 其他作者: Goodyear, Anne Collins. , McManus, James W., , Mileaf, Janine A. , Naumann, Francis M. , Taylor, Michael R., , National Portrait Gallery (Smithsonian Institution)
- 出版: Washington, D.C. :Cambridge, Mass. : National Portrait Gallery, Smithsonian Institution ;MIT Press c2009.
- 稽核項: 319 p. :ill. (some col.) ;32 cm.
- 標題: Art, Modern , Art, Modern 20th century -- Exhibitions. , Portraits History -- 20th century -- Exhibitions. , Portraits. , Duchamp, Marcel, 1887-1968 Portraits -- Exhibitions. , Duchamp, Marcel, , Portraits , Portraits 20e siecle -- Expositions. , Duchamp, Marcel (1887-1968) Portraits. , Duchamp, Marcel , Expositions. , History
- ISBN: 0262013002 , 9780262013000
- 附註: 99年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references (p. 308-309) and index. Inventing Marcel Duchamp: the dynamics of portraiture / Anne Collins Goodyear and James W. McManus -- The recurrent, haunting ghost: depictions of Marcel Duchamp by his contemporaries and ours / Francis M. Naumann -- Bachelorettes / Janine A. Mileaf -- Not seen and/or less seen: hiding in front of the camera / James W. McManus -- Constructing a "made-up history" : self-portrayal and the legacy of Marcel Duchamp / Anne Collins Goodyear -- Marcel Duchamp and portraiture / Michael R. Taylor.
- 摘要: One of the most influential artists of the twentieth century, Marcel Duchamp was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. This book showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Bo ite-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art.
- 系統號: 005034284
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray. One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boîte-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art.
來源: Google Book
來源: Google Book
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