The original copy :photography of sculpture, 1839 to today
- 作者: Marcoci, Roxana.
- 其他作者: Batchen, Geoffrey. , Bezzola, Tobia. , Museum of Modern Art (New York, N.Y.) , Kunsthaus Zurich.
- 出版: New York : Museum of Modern Art :Distributed in the U.S. and Canada by D.A.P./Distributed Art Publishers c2010.
- 稽核項: 256 p. :chiefly ill. (some col.) ;32 cm.
- 標題: Photography of sculpture , Photography of sculpture Exhibitions.
- ISBN: 0870707574 , 9780870707575
- 附註: Published in conjunction with the exhibition held at the Museum of Modern Art, New York, Aug. 1-Nov. 1, 2010 and the Kunsthaus, Zurich, Feb. 25-May 15, 2011. 99年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references (p. 242-247) and index. The original copy: photography of sculpture, 1839 to today / Roxana Marcoci -- An almost unlimited variety: photography and sculpture in the nineteenth century / Geoffrey Batchen -- From sculpture in photography to photography as plastic art / Tobia Bezzola -- Plates, with introductions / Roxana Marcoci -- I. Sculpture in the age of photography -- II. Eugene Atget: the marvelous in the everyday -- III. Auguste Rodin: The sculptor and the photographic enterprise -- IV. Constantin Brancusi: The studio as Groupe Mobile and the Photos Radieuses -- V. Marcel Duchamp's Box in a valise: the readymade as reproduction -- VI. Cultural and political icons -- VII. The studio without walls: sculpture in the expanded field -- VIII. Daguerre's soup: what is sculpture? -- IX. The pygmalion complex: animate and inanimate figures -- X. The performing body as sculptural object.
- 摘要: "The exhibition and book were conceived by Roxana Marcoci ... who organized them around distinct conceptual ideas. Examining the rich historical legacy of photography, and the aesthetic shifts that have taken place in the medium over the last 170 years, she also built on extensive conversations and collaborations with living artists to explore its uses within contemporary art practice. At the same time she asked the question, 'What is sculpture?,' tracing it through a selection of 300 outstanding pictures that tap on a broad spectrum of expressions, ranging in subject from inanimate objects to the performing human body. The Original Copy incorporates impressive groups of works by many key figures of modernist and avant-garde art"--P. 7.
- 系統號: 005036648
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Since its birth in the first half of the 19th century, photography has offered extraordinary possibilities of isolating works of art for study and pleasure. Through cropping, focus, angle of view, distance and lighting as well as the ex post facto techniques of dark room manipulation, collage, montage and assemblage, photographers not only interpret the artworks they record but create stunning reinventions. The Original Copy: Photography of Sculpture, 1939 to Today presents a critical examination of the intersections between photography and sculpture. Through a selection of nearly 300 outstanding pictures by more than 100 artists from the 19th century to the present, The Original Copy explores how one medium has become implicated in the understanding of the other. Photographs reproduced in this richly illustrated volume range in subject from inanimate objects to performing bodies, and include major works by mediums most influential artists, from early modernism to the present.
來源: Google Book
來源: Google Book
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