資料來源: Google Book

Marina Abramovic :the artist is present

  • 作者: Abramovic, Marina.
  • 其他作者: Biesenbach, Klaus. , Museum of Modern Art (New York, N.Y.)
  • 出版: New York : Museum of Modern Art 2010.
  • 稽核項: 224 p. :ill. (some col.) ;31 cm. + 1 sound disc (digital ; 4 3/4 in.)
  • 標題: Abramovic, Marina, , Performance art , Performance art Exhibitions. , Abramovic, Marina , Abramovic, Marina Exhibitions. , Abramovic, Marina, 1946-
  • ISBN: 0870707477 , 9780870707476
  • 附註: "Published on the occasion of the exhibition Marina Abramovic : The artist is present, at The Museum of Modern Art, New York, March 14-May 31, 2010"--P. [6]. Compact disc. 99年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references (p. 221) and index. Marina Abramovic : the artist is present, the artist was present, the artist will be present / Klaus Biesenbach -- The art of Marina Abramovic : leaving the Balkans, entering the other side / Jovana Stokic -- Danger and disturbation : the art of Marina Abramovic / Arthur C. Danto -- Seven easy pieces / Nancy Spector -- Marina Abramovic and the public : a theater of exchange / Chrissie Iles -- Early conceptual and rhythm-based works, solo performances 1968-75 -- Collaborations with Ulay 1976-88 -- Solo works, performances, and installations 1995-2010.
  • 系統號: 005036812
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
Since the beginning of her career in Belgrade in the late 1960s, Marina Abramovic has been a pioneer of performance art, creating some of the most important works in the field. Marina Abramovic: The Artist is Present accompanies an exhibition at The Museum of Modern Art that documents approximately fifty of the artist's ephemeral, time- and media-based works from throughout her career. The book will also discuss a unique element of the Museum's retrospective, live performance: a new work created for the occasion, and performed by the artist herself; and recreations of Abramovic's works by other performers - the first such to be undertaken in a museum setting. The book spans over four decades of Abramovic's early interventions, and sound pieces, video works, installations, photographs, solo performances and collaborative performances made with the Dutch artist Ulay (Uwe Laysiepen). Its essays examine Abramovic's ideas of time, duration, and the reperformance of performance art as a way to extend it into posterity. Marina Abramovic also includes a CD, an audio recording of the artist's own voice, guiding the reader through the publication. The artist is present not only in the exhibition but also in the experience of the book.
來源: Google Book
評分