Late Titian and the sensuality of painting
- 作者: Titian,
- 其他作者: Ferino Pagden, Sylvia. , Nepi Scire, Giovanna. , Kunsthistorisches Museum Wien. , Gallerie dell'Accademia di Venezia.
- 出版: Venice : Marsilio 2008.
- 版本: [1st ed.].
- 稽核項: 333 p. :ill. (chiefly col.) ;29 cm.
- 標題: Titien, , Titian, , Titian, ca. 1488-1576 Exhibitions. , Painting, Italian 16th century -- Exhibitions. , Peinture italienne , Italie , Titien, ca 1488-1576 Expositions. , Peinture italienne 16e siecle -- Expositions. , Painting, Italian , Schilderijen
- ISBN: 8831794124 , 9788831794121
- 附註: Catalog of an exhibition held at the Kunsthistorisches Museum, Vienna, Oct. 18, 2007-Jan. 6, 2008, and at the Gallerie dell'Accademia, Venice, Jan. 26-Apr. 20, 2008. 99年度教育部購置教學研究相關圖書儀器及設備計畫. Exhibition curated by Sylvia Ferino-Pagden and Giovanna Nepi Scire. Includes bibliographical references (p. 314-331). Late Titian and the sensuality of painting / Sylvia Ferino-Pagden -- Titian's family and the dispersal of his estate / Charles Hope -- Titian's Venetian commissions: events, contexts, images, 1537-1576 / Augusto Gentili -- Beyond Venice: Titian and the Spanish Court / Fernando Checa -- Titian's late style / Fernando Checa -- In the workshop with Titian, 1548-1576 / Giorgio Tagliaferro -- 'By the hand of Titian', 'Derives from Titian'. Clues from Venetian collections / Stefania Mason -- Late Titian and the others, between Venice and Europe / Bernard Aikema -- Observations on technique and materials in Titian's late work / Martina Griesser and Natalia Gustavson -- Titian's late style as seen in the Nymph and Shepherd / Elke Oberhaler -- Titian's Vienna "Danae". Observations on execution and replication in Titian's studio / Robert Wald -- Titian's last portraits / Miguel Falomir -- Titian's mythological inventions and poesie / Fernando Checa -- The Barbarigo Venus with a mirror and the Dialogo della pittura by Lodovico Dolce / Irina Artemieva -- Titian's prudent dissent: painting religion in the disciplinary years / Augusto Gentili.
- 系統號: 005036885
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
In the mid-sixteenth century, at almost 60 years of age, Titian invented a new way of painting: the paint was applied to the canvas rapidly and freely and overlaid with brushstrokes that were both light and dense: the forms broke up and a great sensuality and profound spirituality became evident. Titian used an extraordinarily prescient technique to create engaging, stirring painting that in some ways seems to relate to the literary work of the poet Torquato Tasso and even take up the imaginary writings of Ludovico Ariosto published in Venice in the 1530s. Such a painting style had never previously been imagined and was so revolutionary that it was to influence many artists of subsequent centuries through to the modern age. Late Titian became the yardstick not only for younger contemporary painters like Tintoretto, Veronese and Bassano, but also great artists of subseqent cewnturies like Rubens, Rembandt, Velazquez, Gericault and Delacroix and on to the Expressionists.
來源: Google Book
來源: Google Book
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