資料來源: Google Book
Anton Josef Trcka, Edward Weston, Helmut Newton
- 其他作者: Trcka, Anton Josef, , Weston, Edward, , Newton, Helmut, , Ahrens, Carsten, , Haenlein, Carl Albrecht.
- 出版: Hannover :Zurich ;New York :New York : Kestner Gesellschaft ;Scalo ;D.A.P. [distributor] 1998.
- 版本: 1st Scalo ed.
- 稽核項: 207 p. :ill. (some col.) ;28 cm.
- 叢書名: Catalogue ;1/2, 1998
- 標題: Human figure in art , Human figure in art Exhibitions. , Trcka, Anton Josef, 1893-1940 Exhibitions. , Newton, Helmut, , Trcka, Anton Josef, , Weston, Edward, , Newton, Helmut, 1920-2004 Exhibitions. , Photography of women , Photography of women Exhibitions. , Weston, Edward, 1886-1958 Exhibitions. , Photography, Artistic , Photography, Artistic Exhibitions.
- ISBN: 3931141888 , 9783931141882
- 附註: "The Artificial of the Real, March 14-May 24, 1998"--Colophon. Includes bibliographical references.
- 系統號: 005036554
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Nature: In the works of Anton Josef Trcka nature is picturesque, an embellishment atmospherically enhancing his portraits. In Edward Weston's work it appears in its most basic, purest forms, as both reality and its metaphor. And for Helmut Newton nature is the hyper-real backdrop against which he stages the pictorial worlds which accompany and pursue us today. Body: Trcka uses the body as a vehicle for a new expressiveness, a new gesture, a new image of mankind, which at the turn of this century could only be created by means of a photography both so close to, yet so remote from reality. For Weston the body is pure form, one of the world's primordial forms, an abstract representation of human, physical existence. And Newton: here bodies are creations invented by the director behind the camera, manifestly rooted in reality, but nevertheless vigorously detached from it for the sake of art and artificiality. The Artificial of the Real is about the art of perceiving reality and representing it. Three photographers show how human beings have experienced themselves in their world at different moments during this century. For this, photography is how the artificiality of the real is rendered perceptible.
來源: Google Book
來源: Google Book
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