Postmodernism and the en-gendering of Marcel Duchamp
- 作者: Jones, Amelia.
- 出版: Cambridge [England] ;New York, NY, USA : Cambridge University Press 1994.
- 稽核項: xx, 316 p. :ill. ;26 cm.
- 叢書名: Cambridge studies in new art history and criticism
- 標題: Feminist art criticism , Duchamp, Marcel, 1887-1968 Criticism and interpretation. , Criticism and interpretation. , Duchamp, Marcel, , Feminist art criticism United States.
- ISBN: 0521456541 , 9780521456548
- 附註: 九十二年度「輔導新設國立大學健全發展計畫」藏書. Includes bibliographical references (p. 215-309) and index.
- 系統號: 005000554
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
A critical analysis of postmodernism in the visual arts since the 1960s, this book focuses primarily on American texts that reference and construct Marcel Duchamp as the originator of postmodern art. Amelia Jones contends that Duchamp, through his 'readymades', (the standard terms used to describe Duchamp's works) has paradoxically served in a paternal role for post-1960s American artists, critics and art historians, who have attempted to construct a new tradition of artistic practice that counters the masculinist ideologies of Abstract Expressionism and Greenbergian modernism. Adapting feminist, psychoanalytic and Derridean conceptions of interpretation as an exchange of sexual identities, Jones offers highly charged readings that focus on the eroticism of Duchamp's works and on his theories of artistic production. She reconstructs Duchamp as an indeterminably gendered author whose gift to postmodernism might best be viewed in terms of the potential of his readymades to destructure the contradictory notions of sexual difference and subjectivity.
來源: Google Book
來源: Google Book
評分
