Reading Renaissance music theory :hearing with the eyes
- 作者: Judd, Cristle Collins.
- 出版: Cambridge, UK ;New York, NY : Cambridge University Press 2000.
- 稽核項: xxiii, 339 p. :ill., music, facsims. ;26 cm.
- 叢書名: Cambridge studies in music theory and analysis ;14
- 標題: Music 16th century -- History and criticism. , Heyden, Sebald, , Renaissance. , Music printing , Music , Musique imprimee Europe -- 16e siecle. , Glareanus, Henricus, 1488-1563 Criticism and interpretation. , Glarean, , Glareanus, Henricus, 1488-1563 Critique et interpretation. , Music Theory -- 16th century. , Criticism and interpretation. , Theory , Aron, Pietro, , Aron, Pietro, (1490-1550?) Critique et interpretation. , Aaron, Pietro , Zarlino, Gioseffo, 1517-1590 Criticism and interpretation. , Zarlino, Gioseffo, , Musique imprimee , History and criticism. , Aaron, Pietro Criticism and interpretation. , Zarlino, Gioseffo, (1517-1590) Critique et interpretation. , Music theory 16th century. , Muziektheorie. , Musique , Critique et interpretation. , Music printing Europe -- 16th century. , History , Music theory History -- 16th century. , Heyden, Sebald, (1499-1561) Critique et interpretation. , Zarlino, Gioseffo, 1517-1590 Critique et interpretation. , Music theory , Edition , Aaron, Pietro Critique et interpretation. , Glarean, (1488-1563) Critique et interpretation. , Heyden, Sebald, d. 1561 Criticism and interpretation. , Musique Edition -- Europe -- 16e siecle. , Heyden, Sebald, m. 1561 Critique et interpretation. , Glareanus, Henricus,
- ISBN: 0521028191 , 9780521028196
- 試查全文@TNUA:
- 附註: 九十一年度「輔導新設國立大學健全發展計畫」藏書. Includes bibliographical references (p. 321-333) and index. pt. 1. Beginnings. Prologue: Exempli gratia-- -- Music theory incunabula: printed books, printed music -- pt. 2. 1520-1540, Pietro Aron and Sebald Heyden. Pietro Aron and Petrucci's prints -- Music anthologies, theory treatises, and the Reformation : Nuremberg in the 1530s and 1540s -- pt. 3. The polyphony of Heinrich Glarean's Dodecachordon (1547). Exempla, commonplace books, and writing theory -- The polyphony of the Dodecachordon -- pt. 4. Gioseffo Zarlino's Le istitutioni harmoniche (1558). Composition and theory mediated by print culture -- "On the modes" : the citations of Le istitutioni harmoniche, Part IV -- pt. 5. Readings past and present. Exempli gratia : a reception history of Magnus es tu Domine/Tu pauperum refugium -- Epilogue : Reading theorists reading (music).
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- 系統號: 005045235
- 資料類型: 圖書
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- 引用網址: 複製連結
This book examines a central group of music theory treatises that have formed the background to the study of Renaissance music. Taking theorists' music examples as a point of departure, it explores fundamental questions about how music was read, and by whom, situating the reading in specific cultural contexts. Numerous broader issues are addressed in the process: the relationship of theory and praxis; access to, and use of, printed musical sources; stated and unstated agendas of theorists; orality and literacy as it was represented via music print culture; the evaluation of anonymous repertories; and the analysis of repertories delineated by boundaries other than the usual ones of composer and genre. In particular this study illuminates the ways in which Renaissance theorists' choices have shaped later interpretation of earlier practice, and reflexively the ways in which modern theory has been mapped on to that practice.
來源: Google Book
來源: Google Book
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