資料來源: Google Book

Afterimages of Gilles Deleuze's film philosophy

  • 其他作者: Rodowick, David Norman.
  • 出版: Minneapolis : University of Minnesota Press c2010.
  • 稽核項: xxiv, 396 p. :ill. ;22 cm.
  • 標題: Motion pictures , Criticism and interpretation. , Filmtheorie. , Motion pictures Philosophy. , Philosophy. , Deleuze, Gilles. , Deleuze, Gilles, , Deleuze, Gilles, 1925-1995 Criticism and interpretation. , Filosofie. , Films.
  • ISBN: 0816650071 , 9780816650071
  • 附註: Includes bibliographical references and index. Introduction : what does time express? / D.N. Rodowick -- Doublings. The Image of thought: art or philosophy, or beyond? / Raymond Bellour -- Image or time? The thought of the outside in The time image (Deleuze and Blanchot) / Marie-Claire Ropars-Wuilleumier -- Notes to a footnote: the open work according to eco and deleuze / Andras Balint Kovacs -- Mutual images: reflections of Kant in Deleuze's transcendental cinema of time / Melinda Szaloky -- Darkness and Light / Dorothea Olkowski -- Ethics. the world, Time / D.N. Rodowick -- To choose to choose-to believe in this world / Ronald Bogue -- Becomings. Is a schizoanalysis of cinema possible? / Ian Buchanan -- Cinemasochism: submissive spectatorship as unthought / Patricia MacCormack -- Unthinkable sex / D.N. Rodowick -- Experiments. The strategist and the stratigrapher / Tom Conley -- Pleats of Matter, folds of the soul / Giuliana Bruno -- The affection-image and the movement-image / James Chandler -- Becoming-fluid: history, corporeality, and the musical spectacle / Amy Herzog -- Futures. Deleuze's time, or How the cinematic changes our idea of art / John Rajchman -- Immanent images: photography after mobility / Damian Sutton -- Cimnemonics vs. Digitime / Garrett Stewart -- Time @ Cinema's future: new media art and the thought of temporality / Timothy Murray.
  • 摘要: "The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought." "The first new collection of critical studies on Deleuze's cinema writings in nearly a decade, Afterimages of Gilles Deleuze's Film Philosophy provides original essays that evaluate the continuing significance of Deleuze's film theories, accounting systematically for the ways in which they have influenced the investigation of contemporary visual culture and offering new directions for research."--BOOK JACKET.
  • 系統號: 005045464
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought. The first new collection of critical studies on Deleuze's cinema writings in nearly a decade, Afterimages of Gilles Deleuze's Film Philosophy provides original essays that evaluate the continuing significance of Deleuze's film theories, accounting systematically for the ways in which they have influenced the investigation of contemporary visual culture and offering new directions for research. Contributors: Raymond Bellour, Centre Nationale de Recherches Scientifiques; Ronald Bogue, U of Georgia; Giuliana Bruno, Harvard U; Ian Buchanan, Cardiff U; James K. Chandler, U of Chicago; Tom Conley, Harvard U; Amy Herzog, CUNY; András Bálint Kovács, Eötvös Loránd U; Patricia MacCormack, Anglia Ruskin U; Timothy Murray, Cornell U; Dorothea Olkowski, U of Colorado; John Rajchman, Columbia U; Marie-Claire Ropars-Wuilleumier, U Paris VIII; Garrett Stewart, U of Iowa; Damian Sutton, Glasgow School of Art; Melinda Szaloky, UC Santa Barbara.
來源: Google Book
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