Haydn, the Creation
- 作者: Temperley, Nicholas.
- 出版: Cambridge [England] ;New York : Cambridge University Press 1991.
- 稽核項: vii, 135 p. :ill. ;23 cm.
- 叢書名: Cambridge music handbooks
- 標題: Haydn, Joseph, , Oratorios , Austria , Die Schopfung (Haydn) , Haydn, Joseph, 1732-1809. , Oratorio.
- ISBN: 0521378656 , 9780521378659
- 試查全文@TNUA:
- 附註: 100年度教育部「獎勵大學教學卓越計畫」購藏. Includes bibliographical references (p. 121-131) and index. Background. The Viennese oratorio ; The English oratorio ; Haydn's career ; Haydn's oratorios -- Theology. Religion in Georgian England ; Religion in Catholic Austria ; Haydn's religion -- The libretto. Authorship ; Sources, structure, and revision ; Literary character ; Translation and adaptation -- Composition, performance and reception. Genesis and composition ; First performances in Vienna ; Publication ; First London performances ; Early Paris performances ; First American performances ; Critical reception -- Design of the work. Overall plan ; Musical unity ; Text and musical treatment -- Musical analysis. Secco recitative ; Accompanied recitative ; Arias and ensembles ; Choruses ; Orchestral movements ; The hymn -- Excerpts from critical essays. Carl Friedrich Zelter (1802) ; William Gardiner (1811) ; Thomas Busby (1819) ; Edward Taylor (1834) ; P.L.A. (1846) ; George Alexander Macfarren (1854) ; Hugo Wolf (1885) ; Paul Dukas (1904) ; Heinrich Schenker (1926) ; Donald Francis Tovey (1934) ; Karl Geiringer (1963) ; Charles Rosen (1972).
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/description/cam024/90001859.html https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/toc/cam024/90001859.html https://dbs.tnua.edu.tw/login?url=http://hdl.handle.net/2027/heb.07638
- 系統號: 005046867
- 資料類型: 圖書
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- 引用網址: 複製連結
Haydn's Creation is one of the great masterpieces of the classical period. In this absorbing and original account the author places the work within the oratorio tradition, contrasting the theological and literary character of the English libretto with the Viennese milieu of the first performances. The complete text is provided in both English and German versions as a reference point for discussion of the design of the work and the musical treatment of the words. A more detailed musical chapter examines the work through the movement types it employs - arias and ensembles, recitative and choruses - distinguishing the Handelian model from Haydn's own classical idiom. Nicholas Temperley also discusses the changing performance traditions of this work, surveys the critical reception throughout its history and quotes from the most signifcant critical literature of the nineteenth and twentieth centuries.
來源: Google Book
來源: Google Book
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