資料來源: Google Book
Haydn, the Creation
- 作者: Temperley, Nicholas.
- 出版: Cambridge [England] ;New York : Cambridge University Press 1991.
- 稽核項: vii, 135 p. :ill. ;23 cm.
- 叢書名: Cambridge music handbooks
- 標題: Haydn, Joseph, , Oratorios , Austria , Die Schopfung (Haydn) , Haydn, Joseph, 1732-1809. , Oratorio.
- ISBN: 0521378656 , 9780521378659
- 試查全文@TNUA:
- 附註: 100年度教育部「獎勵大學教學卓越計畫」購藏. Includes bibliographical references (p. 121-131) and index. Background. The Viennese oratorio ; The English oratorio ; Haydn's career ; Haydn's oratorios -- Theology. Religion in Georgian England ; Religion in Catholic Austria ; Haydn's religion -- The libretto. Authorship ; Sources, structure, and revision ; Literary character ; Translation and adaptation -- Composition, performance and reception. Genesis and composition ; First performances in Vienna ; Publication ; First London performances ; Early Paris performances ; First American performances ; Critical reception -- Design of the work. Overall plan ; Musical unity ; Text and musical treatment -- Musical analysis. Secco recitative ; Accompanied recitative ; Arias and ensembles ; Choruses ; Orchestral movements ; The hymn -- Excerpts from critical essays. Carl Friedrich Zelter (1802) ; William Gardiner (1811) ; Thomas Busby (1819) ; Edward Taylor (1834) ; P.L.A. (1846) ; George Alexander Macfarren (1854) ; Hugo Wolf (1885) ; Paul Dukas (1904) ; Heinrich Schenker (1926) ; Donald Francis Tovey (1934) ; Karl Geiringer (1963) ; Charles Rosen (1972).
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/description/cam024/90001859.html https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/toc/cam024/90001859.html https://dbs.tnua.edu.tw/login?url=http://hdl.handle.net/2027/heb.07638
- 系統號: 005046867
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Haydn's Creation is one of the great masterpieces of the classical period. This absorbing and original account of the work provides an indispensable guide for the concert-goer, performer and student alike. The author places the work within the oratorio tradition, and contrasts the theological and literary character of the English libretto with the Viennese milieu of the first performances. The complete text is provided in both German and English versions as a useful reference point for discussion of the design of the work, the musical treatment of the words, including questions of Haydn's pictorialism, and a detailed examination of the different movement types employed. The book also contains a brief history of the reception of the work with appendices of notes on the changing performance traditions and selected extracts from critical accounts from the nineteenth and twentieth centuries.
來源: Google Book
來源: Google Book
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